Unlike her superstar ex (no, not K-Fed), Britney's borrowings from urban music don't have a safety net of contact book authenticity: There are no "[ft.]"'s on Blackout. When Team Britney require a dubstep track, for instance, they simply borrow some production tricks and make one. The result is "Freakshow", built around the "wobbler" effect that's a genre standby. A dubstep on the tune, mixing outrage and delight: it still seems to matter when the mainstream borrows underground music, brings it into the wider pop vocabulary.
And...
Spears' new song, “Freakshow,” displays a lot of promise. The production—by Timbaland protégé Danja—is off the hook: very sparse and bass-heavy, revealing the influence of that hot new London-centric electronic-music genre dubstep and Timbo's exotic/skeletal funk techniques.
Pitchfork and many other sites spilled the true tea.
And GaGa is Dance-Pop, just like Rihanna is R&B-Pop. Deal.
They always defended that "Hero" cover saying that she was too young, I wonder what was the excuse for THAT.
Beyoncé and Britney have both gotten their contracts for a reason and a good one. A shame is that Beyoncé kept on improving, while Britney started smoking.
They always defended that "Hero" cover saying that she was too young, I wonder what was the excuse for THAT.
Beyoncé and Britney have both gotten their contracts for a reason and a good one. A shame is that Beyoncé kept on improving, while Britney started smoking.
its funny how rihanna shows no growth at all she sucks she has no stage presence and she sounds worse then a boy going though puberty after being in the game for like 7 years now
its funny how rihanna shows no growth at all she sucks she has no stage presence and she sounds worse then a boy going though puberty after being in the game for like 7 years now
7 years?? I know you stupid but I thought u could at least count.
ok, now I know why you're mercilessly dragging her. Get your revenge boy.
