Member Since: 4/10/2012
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Hannah Montana was shown only at 683 specially-equipped Digital 3-D theatres and moviegoers paid on average $15 per ticket (the national average is closer to $7), but it still set a slew of records: highest box-office total for Super Bowl weekend; highest-grossing opening for a Digital 3-D movie; and highest per-screen average ever — $42,000 per screen trounced the record of $35,000 set by Spider-Man 3 last year. Originally limited to a one-week engagement, the film has now been extended indefinitely.
Michael Wood, vice president of TRU, a market-research firm based in Northbrook, Illinois, specializing in tween and youth audiences, says he sees Cyrus on her way to billion-dollar status. “At this rate, she’s certainly positioned to,” Wood says. “I don’t see this ending anytime soon. This is not a fluke.”
Films are just one aspect of the cultural and corporate phenomena that is Hannah Montana. Her talents and earning potential span the spectrum of the entertainment industry in a way that few tween or teen stars — including her fellow minimoguls, Mary-Kate and Ashley Olsen, whose Dualstar Entertainment is a billion-dollar-a-year merchandise business — ever have.
“She’s moved into the space that the Olsen twins used to own,” Wood says. “She has almost more potential. The Olsen twins’ empire was built slowly over many years. But Hannah Montana has risen so quickly she’s exploded into every genre.”
Since her eponymous show debuted in 2006 as the No. 1 cable show for kids age 6-14, she’s had two chart-topping CDs, Hannah Montana and Hannah Montana 2: Meet Miley Cyrus (more than 8 million copies sold worldwide); four bestselling DVDs (more than 2.5 million copies sold); a series of young adult novels (3.7 million copies and counting); video games (1.7 million sold); and a sold-out national tour that has been expanded to 70 dates (and has already generated more than $24 million).
She landed on Billboard’s list of the 20 top-earning artists of 2007 in the No. 11 spot with $64 million from her CD sales and tour receipts, which was good enough to leapfrog over veteran road acts like Faith Hill and Bon Jovi. Perhaps the Olsen twins comparison is a bit unfair — to the Olsens. “This is more like Beatlemania,” says Wood.
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NBC
So the real question should be, will Selena ever reach the peak of Hilary Duff and The Beatles?
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