Can we go on to the next song?
She actually made the impossible possible. She just killed a summer smash and the song that could've actually become her most successful one this era, bye.
I loved it.
It was beautifully filmed.
Her dance moves were fierce.
I actually teared up a bit during the sax solo because of the little nod that Clarence gave her.
Hot. Mess. You could tell she was improvising the whole time. Oh let me run here. Oh let me go here. And the cameraman didn't know what to do either (the mental image I have is Laurieann holding the camera being all DATS GR8 GURL, WERK, BOOMKACK!)
It's kind of funny how this video is exactly what everyone wanted and everyone is outraged.
It's simple, short, beautiful and is just her dancing happily to the song. It's exactly what everyone bitched for for weeks. Now, you all will deal.
I bitched for something that appealed to people, she looked good, and had a storyline.
She looked like a dead hooker clingy to it's last bits of life. Now I don't need to say why this doesn't meet my other points.
Everyone wanted mermaids... this has none. I don't think I saw someone bitch for living dead hooker does nothing on a stoop and walks up and down stairs and plays with her hair while having emotionless eyes.
Y'all will hate me for this, but I FAR prefer this video to Judas.
I know there's ZERO imagination in it, but she looks stunning, the cinematography is yummy, the lighting and colour scheme of the video are beautiful. It's a simple, 80s, Pat Benatar style video.
As that guy on Twitter claimed, it's clearly just footage from Day 2 of the shoot cobbled together to make the full video, but I still kinda like it.
