Quote:
Originally posted by Humoresque
I just have one question for you all on this cold December night.
Do you know about the black
Ea
gle?
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Once you know, you can't not know.
It seems like a small thing, but dropping the interludes and giving a natural transition between the songs on Unbreakable is one of its strongest suits. It really lends itself to the feeling of a cohesive piece of work. It's not necessarily a must, because she has albums that sound cohesive even while being chock full of interludes, but it really helps the feeling of being a suite of connected songs rather than being glued together with cute studio banter.