Billboard Artist of the Year? NO. Billboard Woman of the Year? NO. Billboard top 100 Hot 100 Artists? NO. Billboard Top 40 Albums of All Time? NO. UWC #1 album this decade? NO. UK #1 album? NO. Radio #1. NO. Tour over $200m? NO. Over $150m? NO. Multiple solo entries on UWC All-Time tracks chart? NO. 4x platinum digital single? NO. 100m song on Spotify? NO. Televised Grammy? NO. Solo top 10 in the last 5 years? NO. Last 2 lead singles went top 10? NO. Last lead single spent more than 1 week on UWC? NO.
Casinos? YES. Lifetime conservatorship? YES. Banned from Grammys? YES. Fired from reality TV? YES. Outsold by Beyonce WW since 2003? YES.
Delusion is thinking that Artpop was bigger than Anti in any shape, way or form (I am sure this post will later be used as receipt of me being a Secret Britney Stan)
How is it delusional to think that Artpop was bigger than Anti in SALES (a she,way or form that you mentioned), because it did in fact sell more than Anti? Like what kind of stupid logic
Nah. Work has yet to sell WW as much as Applause did in the USA.
At the end of the day anTi era won't sell half records what ARTPOP era did. poor rihoe
Reminder that GODTi is and will always be the more relevant release than LEMONAIDS, which was a hit only on twitter with the SJW's. You could ask any person in the street and they wouldn't recognise a song of Bey's album, but everyone would recognise 'Work Work Work'.
Anti will end up having the same sales as Artpop in a much worse sales environment
ANTi won in single sales and ctitical acclaim, by far therefore ANTi era won
The monsters are SO lucky Artpop was released before the mass switch to streaming.
Meanwhile, Unapologetic, a fairer comparison, completely slaughtered Artpop success wise.
RihBey >
' **** is really tragic, just like your fat ****ing fav!!!!!!!!!!!!1