When I went to the US a few years back I actually managed to find a packet of the Katy's Kettle Corn Popchips (I thought they'd be discontinued by then but apparently not) and my sister and I (she's a fan of Katy too) shared them and they were actually so good. I even kept the chip package and still have it.
When I went to the US a few years back I actually managed to find a packet of the Katy's Kettle Corn Popchips (I thought they'd be discontinued by then but apparently not) and my sister and I (she's a fan of Katy too) shared them and they were actually so good. I even kept the chip package and still have it.
They actually are really good, the only popchips I ever liked tbh. My friends used to buy them for me because they knew I stanned ha
related: comparing herself to Amy Winehouse is like the most stupid thing she's ever said Like Lily makes sense but her and Amy didn't even make similar music and the hag comes nowhere close to Amy's talent! The lack of self-awareness
Although sales continue to decay, the digital business is proving to be profitable for the labels, thanks in large part to the elimination of costs related to manufacturing, distribution and returns, as well as some massive hit singles. But the publishing companies had no gigantic overhead of their own to reduce, and thus haven’t managed to make up for the precipitous decline in mechanical royalties. As a result of these ever-thinner margins, publishers and songwriters are increasingly dependent on performance royalties, rendering radio promotion more and more important to them. So much so that red-hot hitmaking writer/producer Max Martin is said to be choosing his projects based in part on the effectiveness of a label’s promo staff.
