Quote:
Originally posted by ariesjow
Adele's widespread appeal is truly remarkable to witness. She seems like an amalgamation of the '70's singer/songwriters with the power vocalists from the '90's to me. Yet, her music manages to remain contemporary at the same time.
It's somewhat easy for me to understand how people who were not drawn to the sheer vocal dexterity of artists like Celine, Whitney or Mariah 20 years ago might connect more with Adele now. Likewise, younger generations who are highly unlikely to delve into a Carole King or Janis Ian album have Adele to serve up a much fresher take on confessional singer-songwriter torch balladry while combining it with her deeply emotive vocals. I've always been fascinated with Adele's ability to make it sounds as if she's seemingly on the verge of tears at any given moment and her natural instinct about when to selectively use that ability.
She adds all this to a high level of relatability and a more bare-boned approach to marketing that seems so contrary to what we've become accustomed to expecting from pop star the last few decades.
|
pretty much pinpoints it for me. she, both with the singing and personality have an edge that makes her believable and relatable and exciting that i personally don't really find among those classic super-vocalists/divas. i've never cared for the likes of celine/mariah etc. and while i recognise both them and older divas like streisand as brilliant vocalists, i'm not in it for the technical chops and it bores me.
i love her cockney-soul/jazzy/trubadour background on 19 and it still shines thru her newer music in a degree.
but also yeah it has the contemporary sound there and i think it's great she's still with an indielabel like XL that has MIA, dizzee rascal, jack penate, prodigy, radiohead and sigur ros in its roster and keep using paul epworth, mark ronson and the God Rick Rubin.
she's in a great position now. i just want more jazz-soul from her!