Quote:
Originally posted by Owenrm
Limiters actually reduce sound from going above a certain level (and when they do it sounds like a compressed effect, and yes, compressors do have limiting capabilities depending on the compressor) usually it's easier to use them separately. I'm pretty well educated, thank you 
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Either way, it all ends up mastered to 0dB. Therefore, limiting reduces the loud parts, compressing increases the quiet parts. Pretty much the same thing. Basically, an admission that I was justified.
Quote:
Originally posted by Owenrm
At 2:06 it definitely not compression - I think you're mistaking his fattened up synths/distortion for compression/limiter - the marker indicates the start of that chorus, which is actually louder than the section before and it is definitely not the loudest part of the song like you're suggesting. #wavelengthsdontlie.
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There still will be a compressor or a limiter at use; most likely a limiter.
Obviously the base offerings at the chorus for the limiter are more plentiful; there are vocals and many more instruments. However, the way it's been mastered or mixed has created a cluttered and messy, loud soup of sound. The continual step-up of loudness (as you can see at the drop, and then at the chorus) is most likely what creates this effect of excessive loudness. Either way, it should've been picked up on and somehow made more tolerable.
"#wavelengthsdontlie" Well Miss Education, since we're talking about loudness here, wavelengths are irrelevant. It's the amplitude of them that matters.
I'm going to stop here, not much point arguing with a delusional stan who thinks their fave can do no wrong.
