Quote:
Originally posted by bluth
Government Hooker was so ahead of its time
Yas sis! I've decided this is the second best performance of her career. No if's, and's or but's. It's essentially the sequel to Paparazzi VMA, and it's just as good.
The way the songs on The Fame translated so well - almost classically - when played acoustically has me more fascinated than I ever have been before.
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Because she wrote every song at the piano, wrote the chords, wrote everything, and then worked almost simultaneously with the producer to create synths and translate it into a full production.
Why did she stop doing this
This is how she wrote and produced her biggest hits and best songs. Half of ARTPOP was written over recycled beats and fully produced productions and it's a shame
