[johnsuxx]

Originally posted by YR.

POOR Piggy

http://www.buzzfeed.com/naomizeichne...reak-the-rules

this song is awful, boom clap and superlove were better. this is like a bad b-side

[Nicole]

No one knows what Pitchfork is or takes it seriously except teenagers who:

(a) need their taste validated

or, worse yet:

(b) need to prove they have taste

[Kworb]

Originally posted by Flanders

Fair enough. Do the bigger countries at least weigh higher?

Yes

http://kworb.net/ww/methodology.html

[Teen Idle]

Originally posted by Flanders

Banks is too anonymous.. good music but doesn't really stick with ya for some reason. Fatty B has the same problem, but her music is mostly bland

Katy On A Mission, Lights On, 5AM and Crying For No Reason are all life and were quite big in the UK.

I heard two weeks on the radio yesterday morning Slay queen

[jose168]

Originally posted by Flanders

Fair enough. Do the bigger countries at least weigh higher?

http://kworb.net/ww/methodology.html

[Dollas n Diamonds]

couldn't she have acted like a normal human just this once?

[Vine101]

Originally posted by Nialler

OnlyManInTheWorld, how long will that cringefest last before she gives us the single? I've read that she does that chat with every lead single.

90 minutes of holiness

[B-Luke]

Originally posted by Dollas n Diamonds

couldn't she have acted like a normal human just this once?

Too less Abramovic-esque.

[Kworb]

This Is How We Do
#12 New Zealand
#18 Canada
#20 Australia
#23 Ireland
#23 Latvia
#38 France
#45 Austria
#48 Israel
#54 United States
#54 United Kingdom
#73 Netherlands

It's definitely a global hit

[Nialler]

I love how France stans for Katy this era. Who needs UK.

[Teen Idle]

When does Taylor her single come out?

[rihannafan]

Originally posted by Kworb

This Is How We Do
#12 New Zealand
#18 Canada
#20 Australia
#23 Ireland
#23 Latvia
#38 France
#45 Austria
#48 Israel
#54 United States
#54 United Kingdom
#73 Netherlands

It's definitely a global hit

Don't lower the standard for global hits or else we'll have to count Pepcé her local hits

[TheVoiceXtina]

Originally posted by johnsuxx

this song is awful, boom clap and superlove were better. this is like a bad b-side

it does suck doesn't it.

OH WELL

new jhésus http://hiphop-n-more.com/2014/08/jhe...d/#more-154077


:sats :

[Luder]

Originally posted by Nialler

Agreed. There is nothing interesting about her. The thirst for an indie taste is the only reason people stan for her.

Or people just like her music.

[Vine101]

Originally posted by Teen Idle

When does Taylor her single come out?

She's playing it at her live chat which you can watch at 5 PM EST on Yahoo

[G.U.Y. Gaga]

Does anyone know what the effect is called that Charli XXX uses on her voice?

[Jameson Teqkilla]

Originally posted by Nicole

No one knows what Pitchfork is or takes it seriously except teenagers who:

(a) need their taste validated

or, worse yet:

(b) need to prove they have taste

But they recognize that Gaga has no talent or memorable songs

AND they always start blogging about whoever I bandwagon for

[Kworb]

Originally posted by rihannafan

Don't lower the standard for global hits or else we'll have to count Pepcé her local hits

Pretty Hurts
#85 Austria
#86 Cape Verde
#86 Germany
#111 Grenada
#143 Dominica
#143 South Africa
#173 Brazil
#186 Bermuda
#190 Antigua and Barbuda
#192 Ireland

Partition
#38 The Bahamas
#44 Antigua and Barbuda
#144 Dominica
#148 Ireland
#183 United States
#189 Grenada
#191 United Kingdom

***Flawless
#65 The Bahamas
#170 Belize
#190 Bermuda

No worries

[Dollas n Diamonds]

Originally posted by Kworb

This Is How We Do
#12 New Zealand
#18 Canada
#20 Australia
#23 Ireland
#23 Latvia
#38 France
#45 Austria
#48 Israel
#54 United States
#54 United Kingdom
#73 Netherlands

It's definitely a global hit

The important markets still leading

[RobynYoBank]

Though Taylor Swift’s 2012 hit “We Are Never Ever Getting Back Together” contained the most artistic uses of “What?!” and “Like, ever” in recorded history, it’s notable for plenty of other reasons. Serving as the centerpiece of Red—Swift’s best, most balanced record to date—“We Are Never Ever Getting Back Together” signified Swift’s bid for universal domination, enlisting golden-touch pop producers Max Martin and Shellback to gild her bratty bombshell. Though it’s a cupcake of a single—and don’t mind me getting a little self-conscious here—Swift aimed for the jugular: “I'm really gonna miss you picking fights/ And me falling for it screaming that I'm right/ And you would hide away and find your peace of mind/ With some indie record that's much cooler than mine.” Other songs on Red successfully channeled contemporary sounds far from the traditional textures of previous, CMT Awards-dominating outings—think the dubstep drops on “I Knew You Were Trouble” or the surging jolt of “22”—but “We Are Never Ever Getting Back Together” exhibits the pure terror of Swift’s towering talent as a songwriter. A couple years out, it’s easy to see that few have landed the crossover leap like Swift did with “We Are Never Ever Getting Back Together”. Like, ever.