I'm sure it was more global than Adina's, which charted in only 4 countries.
That doesn't make the song global itself, though. I'm pretty sure - like most U.S. black artists - "Freak Like Me" was only released to select countries anyway. Those receipts are still garbage for a so-called "global" hit.
That doesn't make the song global itself, though. I'm pretty sure - like most U.S. black artists - "Freak Like Me" was only released to select countries anyway. Those receipts are still garbage for a so-called "global" hit.
I think he was referring to the group being global, not just the song.
Born To Die slayed me so hard when it first debuted, my brother kinda forced me to listen to it. Summertime Sadness and Dark Paradise were especially amazing.
In 2012, The Guardian named "Freak like Me" as the best number-one single of 2002.[4] NME complimented the track as "genius" and claimed, "if this gets to number one, we'll be grinning all summer. Yes, even the Critics."[5]
This nostalgic feeling im having right now cannot be put in words. in iraq , my home, pop music was defined from these groups (backstreet boys, spice girls, N'sync, boyzone etc...) adding to it MetallicaوMicheal Jackson and Yanni. probably its lame to some but this is what kept us going, this is what gave us deference in life i guess. man !, all youth and teenagers used to sit in groups and listen carefully to these bands. remembering my best friends during the war (1998 and 2003) in a room with 20 people. Crazy i know but it's true. missing old days.. god bless
Born To Die slayed me so hard when it first debuted, my brother kinda forced me to listen to it. Summertime Sadness and Dark Paradise were especially amazing.
I have hope for Ultraviolence.
U should get him to join atrl, he'd fit in quite well
I think he was referring to the group being global, not just the song.
I'm looking at their receipts as a whole, and I STILL don't see what makes them "global", especially when they don't even have the US on their side. So much for "global".
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