The music video started with Kelly recording a Music Video and beeing distracted by one guy of her staff playing and flirting with a Girl. The director gave them a break, then Kelly goes to her dressing room, and we can some picture of the guy cuddling with Kelly.
The song start when she's looking at the mirror and start to take her make up off. She look again at the picture and we can see the seen of her and the guy cuddling, making photos and having fun.
During the chorus it's the same scene but without Kelly, it's the guy with the girl he was flirting with, and you can see Kelly watching them from a window. During the second verse, it's Kelly and the guy having an argument during breakfast and when Kelly went off to the bathroom to cry, we can see the guy and the girl having a great time while Kelly is crying in front of the mirror.
During the chorus and the breakdown it's the break-up and during the last chorus, it's Kelly crying in front of the mirror, with the guy and the girl image fading in the mirror.
Billbord.com: Pop Girls & Others Are Supporting Bridgit's New Single Light Of You
Now personally, I didn't expected for that much people supporting Bridgit's new single of her upcoming album. A lot of celebrities, today, tweeted about Bridgit's new single, Light Of You, telling fans to check out her song and to buy it on iTunes as well.
85
This is the very best of Miss Clarkson, a real upgrade from the last album. She kept one single theme during the whole album with a different sound.
Quote:
Originally posted by All Music Guide
83
Certainly, a different side of her since the last album. She seems to be more focus on vocals than on big production except for a couple of songs.
Quote:
Originally posted by The New York Times
80
Essentially everything here involves Ms. Clarkson's clobbering her subject while getting clobbered with guitars.
Quote:
Originally posted by Slant Magazine
70
Her album is full of emotions and talk about love & life. It’s a new approach and more mature for the singer.
Quote:
Originally posted by Spin
70
She's not Katy Perry, not Carrie Underwood. She is Kelly Clarkson and she proves it that she doesn’t need to walk on their path to shine.
Quote:
Originally posted by NOW Magazine
65
On her new album she mercifully avoids the monotonous trend in favour of her own sound that occasionally flirts with the dance floor and the classics sounds.
Quote:
Originally posted by Boston Globe
60
Not like in her past albums, All the songs are about Kelly Clarkson‘s vocals.
Quote:
Originally posted by Rolling Stone
60
Clarkson remains a slightly wearying one-note artist--she's a wounded lover, bellowing her pain and scorching the earth. But wow--that voice.
Quote:
Originally posted by The A.V. Club
50
The album suffers of too many new influences, we lost Kelly Clarkson that we used to know somewhere between this album and the last one.
Quote:
Originally posted by Sputnikmusic
40
Too many ballads on an album she promised us as lighter than the previous one.
Quote:
Originally posted by The Independent (UK)
30
R&B, Pop, Rock, Electrop… Just too much things on one single album.
SKY FERREIRA PERFORMS ON BRITAIN'S GOT TALENT
Sky performed on Britain's Got Talent, giving a colorful and unique performance of her brand new smash hit 'Teen Queen'. A set of bleachers about 50 yards long were on the stage. The bleachers were neon pink and there was a staircase that was clear running down the middle of them. With two huge titantrons behind the bleachers, there was a platform at the top of the bleachers on the staircase. The instrumental of teen queen started and Sky rose out from under the bleachers. With a neon yellow colored mini dress on,a balenciaga biker jacket, a layer of neon pink lipstick and some black combat boots with neon yellow laces, Sky was serving with some messy hair. Looking futuristic and chic she tatted singing as lights flashed on and off across the stage in neon colors. During the second verse male dancers popped up from the stage too, and Sky headed down the bleacher aisles to touch on them, her hands touching their chests and even grabbing one guys crotch. Moving quickly away from them during the pre chorus by moving to the opposite side, they followed her. Getting close to her the aisle of where 1the dancers stood gave in and they disappeared. With an "oops" expression. She jumped around during the chorus as visuals aired on the titantrons. During the bridge lights shot up from the aisles of the staircase, the staircase lighting up too, as Sky headed down the staircase. On the main stage, fireworks and smoke went off behind her and it was epic. The male dancers appeared again and picked up Sky and carried her up the bleachers. Carried in a seating position she has a smirk on her face as they sat her own a thrown with the a crown that said 'Teen Queen' on it. They fell to their knees in a bow as the visual behind her said "Your Teen Queen, Sky Ferreira".
LEASE ME LOVE MUSIC VIDEO (read about the controversial(flawless) music video)
The music video starts off with Ellie Goulding talking to her boyfriend on the phone.
She is at an airport and looks very angry. She then shouts "We're over! "
*Song starts playing*
Her plane is boarding. Ellie goes to the end of the queue, there are only about 10 people in front of her and the queue is moving very quickly.
The woman at the desk checks Ellie's ticket and Ellie walks down the stairs with her luggage, she look furious.
Ellie steps onto the plane, she checks her ticket so see which seat she's supposed to take.
She get's to her seat and notices that there's a beautiful woman sitting in the seat next to her.
"Hi, I'm Katy " says the woman.
"I'm Ellie"
The plane takes off and the two of them talk for hours, both just went through a bad break-up.
Katy puts her hand onto Ellie's leg, they look at each other and start making out
They kept kissing for a couple of minutes but suddenly, they feel some sort of turbulance.
The whole plane is shaking, people are screaming all around them but they just keep kissing.
One second, they're there, the next, they're gone.
The music video started with Kelly recording a Music Video and beeing distracted by one guy of her staff playing and flirting with a Girl. The director gave them a break, then Kelly goes to her dressing room, and we can some picture of the guy cuddling with Kelly.
The song start when she's looking at the mirror and start to take her make up off. She look again at the picture and we can see the seen of her and the guy cuddling, making photos and having fun.
During the chorus it's the same scene but without Kelly, it's the guy with the girl he was flirting with, and you can see Kelly watching them from a window. During the second verse, it's Kelly and the guy having an argument during breakfast and when Kelly went off to the bathroom to cry, we can see the guy and the girl having a great time while Kelly is crying in front of the mirror.
During the chorus and the breakdown it's the break-up and during the last chorus, it's Kelly crying in front of the mirror, with the guy and the girl image fading in the mirror.
TAYLOR LIVE AT THE STAPLES CENTER
Taylor Swift performed tonight at the Staples Center tonight as apart of her promotional tour for her album 'All At Once' which is out now! Playing a sold out show of about sixteen thousand people. She absolutely killed it. CameraS were there to record Swift's performances of She Loves You Better Than I Do and Serenity that would air on the Today Show. Swift is expected to to play Madison Square Garden on October the second.
Setlist:
On Fire:
The first song of the long set was 'On Fire'. A melodic guitar riff filled the sold out arena as the crowd broke out into a roar. The stage was massive with a catwalk leading onto two more walkways that stretched out into the crowd. The stage material clear, a reddish-orange light started blinking, illuminating the entire stage. It was entirely epic and just visually stunning. The rocky instrumental of On Fire started and the titantrons on stage lit up in a vivid red... It continued for about fourty seconds until it went black, cutting off the instrumental, lights and everything else. Silence filled the arena before a low bass could be heard before a big blast of fire lined the front stage a massive explosion of fire thundering through the arena. Swift was seen standing at the top of a staircase, fire lining around her and the sides of the staircase going down. She began singing and the crowd went wild. Dancers with some kind of flamethrowers began dancing on stage as Taylor sang 'On Fire'. When the chorus hit Swift retreated down the staircase the flames rising higher as Swift moved in her black hat and blouse. She hit the catwalk as the instrumental had guitar riffs, the flames shooting on sync with the riffs as Swift served vocals on the rock song that echoed through the arena. She got to the center of the stage, a stunning visual as her dancers behind her on the catwalk and main stage were dancing with fire. At the final chorus of the song flames were about fifteen feet high, making Swift look as if she was singing in front of a wall of fire. The song ended and Swift disappeared after everything went black.
Hands of Fate
Hell On Earth
In Her Eyes
You Looked At me
Girl With The Red Lipstick:
The first song of the third act was Girl With A Red Lipstick. The stage was lit dimly by a red light and a little piano melody was playing. Up at the top of the staircase was Taylor looking into a mirror, looking at herself. Her was straight and she was brushing it before she put down the brush and pulled out her red lipstick. She applied some layers as the synth and dance oriented beat of Girl With The Red Lipstick started. She puckered in the mirror before she pulled out her red mic and started singing as she wore a long black lace dress. Tilting her head a bit she got up and punched the mirror, breaking the glass. The stage going black again, when it lit Swift was seen in her long black dress with two dancers wearing the same but in red. She began singing as shirtless male dancers lined the staircase. The pre-chorus was one and in Swift's hands were two tubes of red lipstick. Walking down the stairs she ran the two lipsticks against the guys chest as they lined her on either side. At the bottom of the staircase a sound of a buildup of Girl With The Red Lipstick was added and lights started flashing as the male dancers surrounded them, pulling off Taylor's long black dress to reveal a black lace corset piece. The same was done with the dancers but theres was red as Swift continued singing, She did a lot of intimate interactions with her dancers, spelling out the words "I'm not a *****" on their chests before smirking and the stage turning red as a dubstep breakdown bridged the gap between the bridge of the song and the final chorus. During the final chorus Swift sang before her background vocalists took over as she began strutting down the runway applying red lipstick, her dancers on either side of her. When she reached the end, Taylor threw the lipstick behind her, it landing on the stage as a big red explosion with smoke filled the stage as it went dark, the stage empty again
Sweetheart
Serenity
All At Once
Taylor performed the title track of the album with just her and the mic stand, a spotlight over head as she owned the song with amazing vocals. Possibly the best vocal performance of the night, she sent chills down people's spines, surprising the world with vocals that no one had ever heard from her. She slayed the hell out of the song, the country power ballad perhaps the best performance of the night
Doesn't Feel Like Home with Miley Cyrus
Taylor performed the only collab on her album Doesn't Feel Like Home. With the instrumental beginning, the stage was lit in a heaven like hint of pink and out of nowhere Miley and Taylor rose from the stage in beautiful pink dresses that matched the stage. Miley sang first, sounding flawless. And then Taylor sang her verse and chorus. They absolutely slayed the bridge with adlibs, both sounding like country legends on the country anthem. The end was beautiful as the visuals were gorgeous as both superstars slayed vocally. They held hands and walked down the catwalk, hitting high notes on the way before bowing.
Tracks
Safe
Raining Tears
Dark Blue Tennessee
Remember Me
Enemy
Silence
Afar
My Goodbye To You
Find Myself
She Loves You Better Than I Do
Taylor performed her official second single ‘She Loves You Better Than I Do’Dressed in a dark red printed dress, Taylor sat center stage with just a microphone to sing the fragile ballad. Swift’s vocals were raw and emotional on the performance, those in the audience and the ones at home hearing in the pain in her voice. The former flame who was the inspiration of the song was assumed to be in the audience when Swift performed. Swift made it to the bridge before she started to get upset, tearing up. By the end of the performance Taylor had began fully crying, everyone giving her a standing ovation, putting a slight smile on her face before all faded to black
Tattooed Lines
The last song of Swift's long set was Tattooed Lines. All the screens turned to black and it was just Taylor and a spotlight, Swift wearing a dress and cowboy boots. Her hair was curled and it was literally a flashback to 2006. Swift ended the show with the emotional ballad, her vocals emotional and stunning. Before ending the show she teared up a bit and thanked the audience for coming.
Taylor Swift was live on The Today Show today. But instead of filming it in New York City, Swift filmed her performances from her concert in the Staples Center and they aired on the Today Show this morning. She performed three songs on the program, Girl With The Red Lipstick, She Loves You Better Than I Do, and Tattooed Lines. The concert was in promotion for her brand new album 'All At Once' which is in stores all over the country now. So make sure to get your copy!
GIRL WITH THE RED LIPSTICK
The first song of the third act was Girl With A Red Lipstick. The stage was lit dimly by a red light and a little piano melody was playing. Up at the top of the staircase was Taylor looking into a mirror, looking at herself. Her was straight and she was brushing it before she put down the brush and pulled out her red lipstick. She applied some layers as the synth and dance oriented beat of Girl With The Red Lipstick started. She puckered in the mirror before she pulled out her red mic and started singing as she wore a long black lace dress. Tilting her head a bit she got up and punched the mirror, breaking the glass. The stage going black again, when it lit Swift was seen in her long black dress with two dancers wearing the same but in red. She began singing as shirtless male dancers lined the staircase. The pre-chorus was one and in Swift's hands were two tubes of red lipstick. Walking down the stairs she ran the two lipsticks against the guys chest as they lined her on either side. At the bottom of the staircase a sound of a buildup of Girl With The Red Lipstick was added and lights started flashing as the male dancers surrounded them, pulling off Taylor's long black dress to reveal a black lace corset piece. The same was done with the dancers but theres was red as Swift continued singing, She did a lot of intimate interactions with her dancers, spelling out the words "I'm not a *****" on their chests before smirking and the stage turning red as a dubstep breakdown bridged the gap between the bridge of the song and the final chorus. During the final chorus Swift sang before her background vocalists took over as she began strutting down the runway applying red lipstick, her dancers on either side of her. When she reached the end, Taylor threw the lipstick behind her, it landing on the stage as a big red explosion with smoke filled the stage as it went dark, the stage empty again. At the end of the performance she sat on a red couch thing and posed as the all the lights went out.
SHE LOVES YOU BETTER THAN I DO:
Taylor performed her official second single ‘She Loves You Better Than I Do’Dressed in a dark red printed dress, Taylor sat center stage with just a microphone to sing the fragile ballad. Swift’s vocals were raw and emotional on the performance, those in the audience and the ones at home hearing in the pain in her voice. The former flame who was the inspiration of the song was assumed to be in the audience when Swift performed. Swift made it to the bridge before she started to get upset, tearing up. By the end of the performance Taylor had began fully crying, everyone giving her a standing ovation, putting a slight smile on her face before all faded to black
TATTOOED LINES
The last song of Swift's long set was Tattooed Lines. All the screens turned to black and it was just Taylor and a spotlight, Swift wearing a dress and cowboy boots. Her hair was curled and it was literally a flashback to 2006. Swift ended the show with the emotional ballad, her vocals emotional and stunning. Before ending the show she teared up a bit and thanked the audience for coming.
LEASE ME LOVE MUSIC VIDEO (read about the controversial(flawless) music video)
The music video starts off with Ellie Goulding talking to her boyfriend on the phone.
She is at an airport and looks very angry. She then shouts "We're over! "
*Song starts playing*
Her plane is boarding. Ellie goes to the end of the queue, there are only about 10 people in front of her and the queue is moving very quickly.
The woman at the desk checks Ellie's ticket and Ellie walks down the stairs with her luggage, she look furious.
Ellie steps onto the plane, she checks her ticket so see which seat she's supposed to take.
She get's to her seat and notices that there's a beautiful woman sitting in the seat next to her.
"Hi, I'm Katy " says the woman.
"I'm Ellie"
The plane takes off and the two of them talk for hours, both just went through a bad break-up.
Katy puts her hand onto Ellie's leg, they look at each other and start making out
They kept kissing for a couple of minutes but suddenly, they feel some sort of turbulance.
The whole plane is shaking, people are screaming all around them but they just keep kissing.
One second, they're there, the next, they're gone.
This morning, actress-gone-singer Paige Elliot, appeared on Good Morning America to perform her debut single, "Ready for the Weekend". However, when questions from Robin and Lara that began innocent and fun went onto deeper topics, things resulted in Paige yelling on-camera and storming off the set.
Her segment on the show began with her performance, showing her on a stage set up with a brand new display for a performance: Most of the stage was dark, with a disco ball hanging above, a parked white van with the words "READY FOR THE WEEKEND" painted on the side, and two, large, Chintz Chesterfield sofas alongside the SUV, with Paige nowhere in sight.
The song began, and just as the first verse started, Paige jumped out of the back of the van, wearing black gogo boots, a white skirt and a white camisole with various rips and stains on it. On her left arm, written in Sharpie were various obscenities and squiggles, and part of the skirt was torn, giving the illusion that she had just come from a party... She held a microphone, singing into it, although the microphone was shaped like a beer bottle with no label on it. Once she came out, the stage lit up, and the disco ball began to spin.
She did her usual choreography, never seeming to get tired despite its demanding routine, and up until the second chorus, it was just her on the stage. After the second chorus, several backup dancers came out from the van, also dressed similar to her as if they'd come from a raunchy party.
During the third verse and middle 8, the backup dancers began to dance on and destroy the Chintz Chesterfields, acting like drunken teenagers, ripping them up, writing on them, stomping on them, and so forth.
Paige jumped on top of the van for the final chorus, still dancing, pumping her fist
In between shots of Paige, shots of the the regular Good Morning America cast were seen, either looking happily shocked or dancing in their chairs to the song.
It ended with Paige's hands in the air, sitting on the top of the van, her feet right in front of the windshield. She smirked, and everything died to black.
The Interview: A Marriage Gone Wrong
After the performance, Paige, Robin Roberts and Lara Spencer sat down in the interviewing couches to discuss Paige's life. After the usual questions Paige gets in her interviews ("How are you?" "Have you always wanted to be an actress?" "What does it feel to have the title 'The Reigning Queen of Acting'?", etc.), Robin and Lara simply asked about Paige's marriage, including acknowledging an episode of TMZ that exposed Paige's divorce.
Lara: Paige, now, what's up with you and David? Robin: Yes! I wanted to know this, too. Is everything going to be alright? Paige: Uhm, I-- Lara: There was an episode on TMZ that showed David saying... He can't deal with you, or you're too much for him, something like that... Are you two really getting a divorce? Paige: Well, you know... Robin: You know, Lara, divorce is a sad thing. If a couple can't make it together after such a commitment as marriage, how are we supposed to have any hope in life? Lara: Exactly what I'm saying! Marriage is such a big thing, it can't be destroyed so easily. It's such a same. Paige: David and I just-- Robin: Right! I mean, if two people can make a big move such as marriage, swearing to spend the rest of their lives together, why would it end? It's so sad. Paige: DUDE, I JUST-- Lara: I mean, it's up to them. It's their life, their relationship. They can do what they'd like, but I think it's just such a shame that people have to get divorced nowadays. Paige: I swear to God... Robin: Right. Now, on top of this, Paige, did David really kick you in the chest like he said? Did he hurt you? Paige: Now, hold on, he j-- Lara: Oh, my God. That reminds me about Rihanna's case with Chris Brown. Is David the new Chris? This is just awful. Paige, aren't you suing him for this? Paige: I plan on-- Robin: Is it that serious? A lawsuit? I mean, a judge could get involved. This is big. This is sad. Paige, did he break your heart? Lara: Yes, Paige. Did he hurt you, emotionally and physically? I'm so sorry, dear, this is just awful. You know, Robin, this reminds me of the time tha-- Paige: JESUS CHRIST. STOP. Lara: Oh, dear. Paige: CAN I ANSWER SOMETHING NOW? Robin: Uhm-- Paige: Jesus. I've been married to David just over a year. We got married on my 23rd birthday-- Lara: Oh, how romantic! On your birthday! Paige: OH, MY GOD. Robin: You know, Lara, that's always what I wanted to do... Get married on my birthday! It's such a sweet thing. Paige: ALRIGHT, goodbye.
Paige immediately rose up from her seat and left the building.
Be sure to buy her lead single, "Ready for the Weekend", on iTunes & Amazon today!
"
" says the woman.
On Fire:
