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Tournament: Create A Label 2 | #EternalLife #Yeezus
Member Since: 1/3/2011
Posts: 30,381
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Not ARTPOP topping the charity single 
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Member Since: 9/19/2011
Posts: 32,201
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Quote:
Originally posted by AdamAL4
Can we just acknowledge the fact you and prayer have not gotten involved in the feuds  |
How ironic that Rihanna & Chris Brown don't got involved in fueds 
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Member Since: 8/11/2012
Posts: 4,692
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Quote:
Originally posted by Xalric
How ironic that Rihanna & Chris Brown don't got involved in fueds |
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Banned
Member Since: 4/27/2012
Posts: 33,811
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Member Since: 9/19/2011
Posts: 32,201
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Date will be announced tomorrow !
Ticket will be on sale tomorrow !
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Member Since: 9/12/2012
Posts: 26,389
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Jigglypuff Album Release!
Jigglypuff, after the blog about Azealia, made a second blog announcing the release of her album, which is entitled "Haven".
"Hello fans! I have exciting news! My new album, titled "Haven" is now available to purchase at all major retailers, for both music and games, as well as available on iTunes and Amazon! Take a look here:
Cover
Back"
(yes I know this cover is ratch)
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Member Since: 9/19/2011
Posts: 32,201
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Raesean get out of my head... Always having the same ideas 
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Member Since: 12/27/2011
Posts: 4,769
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Member Since: 9/19/2011
Posts: 32,201
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ATRL Contributor
Member Since: 5/28/2011
Posts: 39,615
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Member Since: 9/15/2012
Posts: 22,487
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Quote:
Originally posted by Trouble.
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I approve this message.
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Member Since: 1/1/2013
Posts: 17,232
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Ghetto Gurl is DOUBLE PLATINUM!!!!!!!!!!!!!!!!!!
And yay gaga is slaying!!!
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Banned
Member Since: 4/27/2012
Posts: 33,811
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YAS, I've been wanting someone to take Marina!
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ATRL Contributor
Member Since: 5/28/2011
Posts: 39,615
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The "working" cover:
Written by: Marina Diamandis, Łukasz Gottwald, Henry Walter, Rick Nowels
Produced by: Dr. Luke, Marina Diamandis, Cirkut, Porter Robinson, Rick Nowels
Genre: Alternative pop, electronic, dubstep
Length: 5:37
"With an intro sadder than any death you've ever known of, you'd think this song would put you in a depressing mood immediately. However, the song switches back and forth between sounds. It opens up with piano plinks every few seconds with Marina vocalizing over them with the voice of a siren trying to lure sailors to their dangerous rocks, distant and haunting. By the time the first verse opens, there's a constant bass that teeters back and forth, sounding like it's about to erupt violently and blow out the speakers with a drum beat that only seems to hit every few seconds, giving an uneasy feeling with a lack of rhythm, but still addicting; one of the more memorable lines in the first verse is: 'Things may never be how I wanted, but I'll still ****ing kill her if she tries it'. The prechorus is more familiar to the pop world, with a four-on-the-floor drumbeat, but nothing more than the piano plinks from the intro and more of Marina's amazing vocals; 'I don't mean to be bitter, I just want things badly, am I wrong?' she coos over the innocent beat. The first half of the chorus is almost empty, with just her vocals over the rare drum stomp; 'When you touch me, I want to scream... I don't think I'm going to be alright'. After a brief, total emptiness, with absolutely no sound, the drums return quickly with another four-on-the-floor beat, and the bass is nearly deafening; it roars and moans, begging for you to move to it. There are wiggling synths that demand this song be stuck in your head forever as she continues to go on in a heartbreakingly perfect cascade of vocals: 'I may seem like I'm cool, but you give me needles and pins... I'm not alright, I'm breaking inside, I don't think my life can handle it this time'. The second verse is newer, with a drum beat similar to the verses in Katy Perry's 'Dressin' Up", but nothing more than the drums and airy synths that make you lightheaded in pleasure. Halfway through the verse, there's a heartstopping bass drop that only lasts for one beat, and you sort of wonder if you just imagined it, or if it really happened, and you're bound to rewind to listen to it again; it's only a hint of the middle 8 to come later. The chorus comes again, but instead of the dead silence between the two parts of it, that bass drop occurs once again, with two beats this time, a giant wub and wub, which is sure to cause some speakers' drivers to break, but it's perfect. After the chorus, there's more emptiness, with the sound of wind that lasts for a few seconds, making you think the song may just fade out, but of course not: The bass hit from earlier comes back, but it's faded, as if ready to build up. There's a brief wobbling bass in the background again, and it's clear something big is about to hit. Finally, all Hell breaks loose in a heartstopping, breathtaking dubstep drop that makes any and all dubstep breaks from past pop stars' songs seem weak. 'I tried to make you notice me then, but you were too blind. Am I wrong to go and end her life so you could notice mine?' Marina cries, desperate for the man of her dreams to give her some attention. It returns to the second half of the chorus with a newer beat, stomping and dramatic, with an increasing clap in the background that builds up to the end where everything stops dead, and fades out with the wind that was there just before the middle 8."
"When you touch me, I want to scream
I don't think I'm going to be alright.
I just need you to grab my hand,
Perhaps a kiss goodnight.
I may seem like I'm cool,
But you give me needles and pins
I'm over here starving myself to look good
For you, I'd give it all to be perfectly thin
I'm not alright, I'm breaking inside
I can't take another break
I don't think my life can handle it this time."
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Banned
Member Since: 4/27/2012
Posts: 33,811
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Member Since: 12/27/2011
Posts: 4,769
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Cassie and Rihanna partying together; Dating?
 
Has Rihanna had enough of men?
Rihanna and Cassie were seen partying together in Paris late tonight, drinking and dancing at a nightclub. The two seemed very friendly and close, and even at one point in the night Cassie was on Rihanna's lap making out.
The two also left the club together, holding hands and kissing as they both got into Rihanna's car. Paparazzi followed the car and they were photographed going into Rihanna's hotel together.
The two have been rumored to be dating for a while and it seems their public displays of affection have confirmed these rumors.
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Member Since: 9/15/2012
Posts: 22,487
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Quote:
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"With an intro sadder than any death you've ever known of, you'd think this song would put you in a depressing mood immediately. However, the song switches back and forth between sounds. It opens up with piano plinks every few seconds with Marina vocalizing over them with the voice of a siren trying to lure sailors to their dangerous rocks, distant and haunting. By the time the first verse opens, there's a constant bass that teeters back and forth, sounding like it's about to erupt violently and blow out the speakers with a drum beat that only seems to hit every few seconds, giving an uneasy feeling with a lack of rhythm, but still addicting; one of the more memorable lines in the first verse is: 'Things may never be how I wanted, but I'll still ****ing kill her if she tries it'. The prechorus is more familiar to the pop world, with a four-on-the-floor drumbeat, but nothing more than the piano plinks from the intro and more of Marina's amazing vocals; 'I don't mean to be bitter, I just want things badly, am I wrong?' she coos over the innocent beat. The first half of the chorus is almost empty, with just her vocals over the rare drum stomp; 'When you touch me, I want to scream... I don't think I'm going to be alright'. After a brief, total emptiness, with absolutely no sound, the drums return quickly with another four-on-the-floor beat, and the bass is nearly deafening; it roars and moans, begging for you to move to it. There are wiggling synths that demand this song be stuck in your head forever as she continues to go on in a heartbreakingly perfect cascade of vocals: 'I may seem like I'm cool, but you give me needles and pins... I'm not alright, I'm breaking inside, I don't think my life can handle it this time'. The second verse is newer, with a drum beat similar to the verses in Katy Perry's 'Dressin' Up", but nothing more than the drums and airy synths that make you lightheaded in pleasure. Halfway through the verse, there's a heartstopping bass drop that only lasts for one beat, and you sort of wonder if you just imagined it, or if it really happened, and you're bound to rewind to listen to it again; it's only a hint of the middle 8 to come later. The chorus comes again, but instead of the dead silence between the two parts of it, that bass drop occurs once again, with two beats this time, a giant wub and wub, which is sure to cause some speakers' drivers to break, but it's perfect. After the chorus, there's more emptiness, with the sound of wind that lasts for a few seconds, making you think the song may just fade out, but of course not: The bass hit from earlier comes back, but it's faded, as if ready to build up. There's a brief wobbling bass in the background again, and it's clear something big is about to hit. Finally, all Hell breaks loose in a heartstopping, breathtaking dubstep drop that makes any and all dubstep breaks from past pop stars' songs seem weak. 'I tried to make you notice me then, but you were to blind. Am I wrong to go and end her life so you could notice mine?' Marina cries, desperate for the man of her dreams to give her some attention. It returns to the second half of the chorus with a newer beat, stomping and dramatic, with an increasing clap in the background that builds up to the end where everything stops dead, and fades out with the wind that was there just before the middle 8."
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How long did it take you to write this, dude
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Member Since: 12/27/2011
Posts: 4,769
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Holy **** at that song description
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Member Since: 12/27/2011
Posts: 4,769
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I never leave this thread when I'm online, it's almost sad
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Member Since: 9/12/2012
Posts: 26,389
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Look at trouble slaying with the lyrics. Finally I am not the only one who writes more than 1 lyric. 
Do you happen to write songs in your spare time, Trouble?
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