[FantasyRide]

I'm surprised people are having such a strong reaction to her vocals, she's always sounded somewhat like this. yes she is reaching a bit at times for some reason, but it seems to compliment the production and feels natural to me.

[Departure]

Originally posted by Jennifer Lawrence

Dr. Luke

Well...

Can't deny the facts Dr. Luke did something right when he created Till The World Ends. Every time I hear the song, I still can't believe it's a Britney song with all the "Woah oh oh oh oh" chants.

It sounds like something 30 Seconds To Mars would do [i.e. Kings and Queens]. Potentially other artists, but that's all I can think of.

I still am in complete shock that TTWE is actually in Britney's discography. And also, if you listen to I Wanna Go they tried following the same method as TTWE with the repetitious lyrics in the chorus. "I I I wanna go go all the way way, etc."

[ABEL-o-matic]

This is amazing. This is EXACTLY the same feelings I get when I first heard Mariah's We Belong Together. Classic Britney.

[Ronnie Redd]

Originally posted by Departure

Well...

Can't deny the facts Dr. Luke did something right when he created Till The World Ends. Every time I hear the song, I still can't believe it's a Britney song with all the "Woah oh oh oh oh" chants.

It sounds like something 30 Seconds To Mars would do [i.e. Kings and Queens]. Potentially other artists, but that's all I can think of.

I still am in complete shock that TTWE is actually in Britney's discography. And also, if you listen to I Wanna Go they tried following the same method as TTWE with the repetitious lyrics in the chorus. "I I I wanna go go all the way way, etc."

TTWE sounds like Womanizer and everything other song after it. This is a new sound for Britney. It's more R&B soul slightly rock soul. I'm loving her new sound between this and Make Me. This will probably be the first Britney album I listen to since Britney with eagerness.

[as926]

Originally posted by DWG

Some Britney fans are so well-spoken.

Preach it, honey!

[Ivan_brit]

5. NEW Britney Spears - Private Show

Top 5 debut iTunes Worldwide Make me me return to the top 10!

http://kworb.net/ww/

[vamp]

This is going to chart higher than perfume.

[Bad Blood]

I can't stress enough how much I love this song I'm considering pre-ordering this now

[Save-Me-Oprah]

The vocals

[harajukuhyphen]

Queen coming through with the fresh sounds this era


I love the vocals actually, its cute

[greeneyedsoul]

How is this an Apple Music exclusive if it's on Spotify?

[paulyyyozd]

Originally posted by FantasyRide

I'm surprised people are having such a strong reaction to her vocals, she's always sounded somewhat like this. yes she is reaching a bit at times for some reason, but it seems to compliment the production and feels natural to me.

e x a c t l y

[legendarylovers]

Originally posted by Patrick

I was surprised to see the mixed reception for this one... and then I wasn't.

Further proof of a deep generational chasm that divides ATRL into two camps; the twentysomething pop sophisticates with 15 to 20 years of top-shelf pop consumption to their name, and an unruly kid crew with Scream Queens avatars and tributes to Nick Jonas in their signatures. It's not that the latter generation is a lost cause entirely, but they've clearly never heard a "Britney" — that is, they've never encountered a voice quite as distinctive as Britney's. "But I know Britney! Circus was the first album I bought!" First off, ask for a refund. And no, you don't know Britney, you know a very stilted and subdued version of the iconic performer.

The Britney of "Private Show" is Britney as Britney is intended to sound. She very skillfully vacillates between a range of tones; she nasally, then guttural, then grainy, then nasally again, then delicate. (And yes, that's how she's supposed to do it.) She's sultry. She's goofy. She's sounds slightly absurd. She's fully engaged. She's expressive in ways that "technically superior" vocalists just aren't. She is brilliant. You have no idea how brilliant she is.

This is the probably purest attempt Britney has made to harness some of that ineffable charm that made her early work so irresistible. I adore it.

fff

[Jude]

Already dark red update. Y'all are overrating this song.

[Itskorbitch]

Originally posted by Patrick

I was surprised to see the mixed reception for this one... and then I wasn't.

Further proof of a deep generational chasm that divides ATRL into two camps; the twentysomething pop sophisticates with 15 to 20 years of top-shelf pop consumption to their name, and an unruly kid crew with Scream Queens avatars and tributes to Nick Jonas in their signatures. It's not that the latter generation is a lost cause entirely, but they've clearly never heard a "Britney" — that is, they've never encountered a voice quite as distinctive as Britney's. "But I know Britney! Circus was the first album I bought!" First off, ask for a refund. And no, you don't know Britney, you know a very stilted and subdued version of the iconic performer.

The Britney of "Private Show" is Britney as Britney is intended to sound. She very skillfully vacillates between a range of tones; she nasally, then guttural, then grainy, then nasally again, then delicate. (And yes, that's how she's supposed to do it.) She's sultry. She's goofy. She's sounds slightly absurd. She's fully engaged. She's expressive in ways that "technically superior" vocalists just aren't. She is brilliant. You have no idea how brilliant she is.

This is the probably purest attempt Britney has made to harness some of that ineffable charm that made her early work so irresistible. I adore it.

I want this in my sig. YES.

[Itskorbitch]

Originally posted by Jude

Already dark red update. Y'all are overrating this song.

Its a promo song. LOL.

[Stark]

What is this mess

Those vocals

[Stark]

The instrumental makes me wanna cut my veins

The bridge is making me scream because it's so bad The work it watch me work it part

And I liked Make Me.

[seanoh]

Originally posted by Patrick

I was surprised to see the mixed reception for this one... and then I wasn't.

Further proof of a deep generational chasm that divides ATRL into two camps; the twentysomething pop sophisticates with 15 to 20 years of top-shelf pop consumption to their name, and an unruly kid crew with Scream Queens avatars and tributes to Nick Jonas in their signatures. It's not that the latter generation is a lost cause entirely, but they've clearly never heard a "Britney" — that is, they've never encountered a voice quite as distinctive as Britney's. "But I know Britney! Circus was the first album I bought!" First off, ask for a refund. And no, you don't know Britney, you know a very stilted and subdued version of the iconic performer.

The Britney of "Private Show" is Britney as Britney is intended to sound. She very skillfully vacillates between a range of tones; she nasally, then guttural, then grainy, then nasally again, then delicate. (And yes, that's how she's supposed to do it.) She's sultry. She's goofy. She's sounds slightly absurd. She's fully engaged. She's expressive in ways that "technically superior" vocalists just aren't. She is brilliant. You have no idea how brilliant she is.

This is the probably purest attempt Britney has made to harness some of that ineffable charm that made her early work so irresistible. I adore it.

Girl shut the **** up, she sounds like she's got a cold

[KLatz]

I don't get how Britney fans could hate her vocals on this. It's so quintessentially Britney. They get more addictive every play