|
Celeb News: Madonna - MDNA Tour
Member Since: 5/12/2012
Posts: 18,331
|
Give Me All Your Luvin' looks even better than at the Superbowl to me!
Has any clip of Turn Up The Radio rehearsal leaked yet?
But I really need to stop ruining the surprises for me aaaah  I know it'll be brilliant and hopefully also better than Sticky & Sweet! (I think it is)
|
|
|
Member Since: 2/2/2012
Posts: 26,226
|
Does anyone know when and where will the Opening Night Tv special air?
|
|
|
Member Since: 2/2/2012
Posts: 26,226
|
Quote:
Originally posted by Lifeline
Give Me All Your Luvin' looks even better than at the Superbowl to me!
Has any clip of Turn Up The Radio rehearsal leaked yet?
But I really need to stop ruining the surprises for me aaaah  I know it'll be brilliant and hopefully also better than Sticky & Sweet! (I think it is)
|
Yes it did, Turn up the Radio is just her and a guitar, but it sounds like the album version and she looks cute.
|
|
|
Member Since: 2/28/2012
Posts: 19,176
|
|
|
|
Member Since: 2/2/2012
Posts: 26,226
|
Quote:
Originally posted by Lover
|
I just wished they would have used better footage from the rehearsals
|
|
|
Member Since: 2/28/2012
Posts: 19,176
|
yes, the footage is poor. but it's all they got. i love the part with the off-comment:
"when does inspiration become imitation?"
|
|
|
Member Since: 2/2/2012
Posts: 26,226
|
Quote:
Originally posted by Lover
yes, the footage is poor. but it's all they got. i love the part with the off-comment:
"when does inspiration become imitation?"
|
I also love when they say 'Imitation is the best form of flattery"
|
|
|
Member Since: 8/10/2010
Posts: 9,489
|
Quote:
Originally posted by Swag
I also love 'Imitation is the best form of flattery"
|
You're back!!!
|
|
|
Member Since: 2/2/2012
Posts: 26,226
|
Quote:
Originally posted by Onen
You're back!!!
|
Yes, I was unjustly banned supposedly for being offtopic with the roger friedman post which of course wasnt offtopic since he was the author of the article of the thread
And only because YOU GUYS called it out on the thread and on NHB, the mod reversed the point, but if people hadn't been vocal about the injustice I wouldn't be here, so THANKS
I can't wait for the tour to start, how many hours til opening night? 
|
|
|
Member Since: 2/28/2012
Posts: 19,176
|
05:30pm in israel.
glad you're back. i was shocked.
|
|
|
Member Since: 3/15/2011
Posts: 12,111
|
MDNA Tour book cover art

|
|
|
Member Since: 2/2/2012
Posts: 26,226
|
Quote:
Originally posted by Crazy Lights
MDNA Tour book cover art

|
ICONIC
|
|
|
Member Since: 8/10/2010
Posts: 9,489
|
Quote:
Originally posted by Crazy Lights
MDNA Tour book cover art

|

|
|
|
Member Since: 8/4/2010
Posts: 12,356
|
Quote:
Originally posted by Crazy Lights
MDNA Tour book cover art

|

....gorgeous!

|
|
|
Banned
Member Since: 8/19/2011
Posts: 1,021
|
|
|
|
Member Since: 3/22/2012
Posts: 25,520
|
Can't wait to see these concert videos!
|
|
|
Member Since: 3/15/2012
Posts: 2,801
|
13 hours left!!! I need the reviews And the Conan Experience Show!
And i need that Tourbook!
|
|
|
Member Since: 2/4/2012
Posts: 7,821
|
Quote:
Originally posted by Crazy Lights
MDNA Tour book cover art

|
|
|
|
Member Since: 2/2/2012
Posts: 26,226
|
First Look at MDNA Tour Costumes
Quote:
The Material Girl’s parade of costume changes includes outfits from longtime collaborators Jean Paul Gaultier and Jeremy Scott, shoes from Prada and Miu Miu and pieces from Alexander Wang. Dolce & Gabbana made suits for the band and background vocalists, Fausto Puglisi created menacing bandolier vests and rams head masks for the backup dancers and even J Brand whipped up custom-made jeans.
Bras and panties — including one heart-shaped style from Madonna’s new intimates line Truth or Dare — are incorporated into some numbers, as are shoes from the new Truth or Dare footwear line, at retail this fall. A somber, elegiac version of the usually peppy “Like a Virgin” will be sung by Madonna in an Agent Provocateur bra.
“It’s a real journey from the first act to the fourth, and the way she constructs her shows is like a theater piece,” said costume designer and stylist Arianne Phillips, who oversaw the entire wardrobe design for Madonna, her backup singers, musicians and 22 backup dancers. Scott, for his part, has been camped out in Tel Aviv this week, working till the last minute on some costumes.
The original Gaultier design is worn during the “Vogue” number and includes a white shirt, black tie, opera-length black gloves and a rigid skeleton corset. The getup references the iconic pink bustier-with-pin-striped suit look the designer created for Madonna’s 1990 Blond Ambition world tour, widely considered a pinnacle of both of their careers.
“We played with the ideas of a suit and a corset. But the corset is now like a cage,” explained Gaultier. “What I have done this time is a nod to the conical bra corset of the Blond Ambition tour but reinterpreted in 3-D, in patent leather on the outside with metallic leather on the inside. It’s all about masculine and feminine, Madonna and Jean Paul Gaultier classics reinterpreted for 2012.”
The designer and Phillips also re-created some archival Gaultier pieces for Madonna’s dancers, as an homage to his long relationship with the iconic singer. Gaultier was also responsible for the kinky equestrian and “Saturday Night Fever”-inspired looks of Madonna’s 2006 Confessions tour, and she once walked his runway with her nipples exposed.
“I love Madonna. She is the only woman I have asked to marry me. She refused, of course,” added Gaultier. “But when she asked me to do a costume for her for this tour, I couldn’t refuse.”
Prada created high-heeled shoes for the male dancers in the gender-bending “Vogue” performance, which includes imagery of the Vogue magazine logo on massive video screens — similar to Madonna’s Super Bowl performance of the song, which was viewed by 117 million people.
“This show is epic and bigger than anything she’s done before. There are many more costume changes. We’re taking 700 shoes on the road. Madonna changes outfits seven or eight times and the dancers change 10 to 15 times, depending on the dancer,” said Phillips of the production, which includes multiple appearances on stage by two of Madonna’s children, Lourdes and Rocco, in supporting roles.
Prada has supplied custom-made shoes for many of Madonna’s previous tours, noted Phillips. “They have been generous for so many years. Her relationship with them is really special. Everything is specially made and they made some incredible high-heeled boots for the boys,” she added.
Phillips, who has done the costumes for Madonna’s four previous tours, designed a number of looks herself, delivering a wide range for her famously chameleonlike boss. The lineup veers from a forbidding Joan of Arc-inspired outfit fashioned from metal mesh and Swarovski Elements to a vernal, miniskirted majorette getup for the “Girl Gone Wild” singer.
“It’s inspired by a 1940s majorette and I was looking for something playful and fun,” explained Phillips.
Masks are a big component to many outfits, with dancers hiding their faces behind gargoyle and bunny guises. “The show explores the idea of stripping away layers of identity and discovering the layers of who you are,” said Phillips. There’s a menacing streak to some looks, with themes of violence explored in certain segments, which are accessorized with swords, guns, armor and holsters.
One designer missing from the MDNA tour roster is Givenchy’s Riccardo Tisci, who designed the showboating Cleopatra-on-Mars outfit Madonna donned for her Super Bowl performance. Phillips attributed Tisci’s absence from the collaborator list to scheduling conflicts.
Madonna herself was closely involved with the show’s costume design, said Phillips, who was nominated for an Oscar for her work on Madonna’s film “W.E.” earlier this year. “This is her brainchild and her concept. We have a 15-year relationship and there’s a rhythm to how we collaborate. She’s very open-minded but she expects a lot,” she explained. “She’s always challenging herself and pushing herself constantly to learn new things and she pushes me further than I would myself. When you’re on the world stage with her, you really have to bring your A game.”
As for the media dustup this week when Madonna supposedly lobbed a grenade at Lady Gaga by mashing up her own “Express Yourself” with Lady Gaga’s allegedly reductive “Born This Way” in rehearsals, it wasn’t just a ploy for attention and it’s part of the permanent show. At the end of the song, Madonna throws in the line “She’s Not Me,” from her recent song of the same name.
“Whether it’s an homage or a smack in the face or just being funny, I don’t know,” said Liz Rosenberg, Madonna’s spokeswoman. “People can decide what it means. Madonna isn’t one to explain herself.”
|

A Joan of Arc-inspired look fashioned from metal mesh and Swarovski crystals.

Madonna’s “Super Vixen” look.

A Jean Paul Gaultier look for Madonna's “Vogue” number.

Jeremy Scott for Adidas look for Madonna's backup dancers.

Looks from Madonna’s “Truth or Dare” intimates collection are used throughout the show.

Looks from Madonna’s “Truth or Dare” intimates collection are used throughout the show.

Looks from Madonna’s “Truth or Dare” intimates collection are used throughout the show.

Looks from Madonna’s “Truth or Dare” shoe collection are used throughout the show.

The “Majorette” look designed by Arianne Phillips.
|
|
|
Member Since: 8/9/2004
Posts: 21,889
|
Quote:
Originally posted by Lover
|
Crying. I will be right there in the front; worshipping the tip of the illuminati triangle.
|
|
|
|
|