Obviously some of you aren't familiar with her work, as her use of the"à l’après-midi d’un faune" choreography is NOTED...period. She didn't use his work without citing her source or without asking for permission, her use of Vaslav Nijinsky in "D'un soir un jour" is a prelude to his "à l’après-midi d’un faune".
And in the playbook it's noted her opera, uses his work and acts as an impetus to his works. So don't EVEN try it with Anna. I mean seriously this women is brilliant, and asked for permission to use it, and each time it is performed it is noted that her work was derived from Nijinsky. So "OOP" all you want, but the fact remains, she noted her use of this BEFORE it was performed.
Need proof, go search any playbill for "D'un soir un jour", it's included in the notes.
http://www.opera-lille.fr/en/archive...de-keersmaeker
