I'm signed to Interscope/Gaga's new imprint of Interscope which she made specially to give me creative freedom over my career.
Hey this is my fantasy, what I want happens.
I use my real name. Albums are as follows
Debut album -
Prologue
The album about my life leading up to it's release. All of it childhood, teens, etc. My debut single features Gaga in the radio edit that is first sent to radio, but bitch doesn't make the album or the video. Sound is
alternative, could be described as
indie, indiepop, avant-garde. Basically hipsters and critics approve is what I'm getting at, and it's labeled with terms that mean nothing. Dark and gritty, but very perfect sounding. Clean crisp, piano and viola driven. I use fashion gimmicks, as well as playing instruments to get attention. Most commercial sounding album, biggest sales.
2nd -
Bridge
Elements of current chart topping music used sarcastically. But people are too stupid to get it and say I sold out and am looking for hits. Poor them.
Less successful with critics, hipsters, everything. All about success and how it's changed my life and people around me. How I feel lost.
But it's done in a sarcastic manner so it sounds happy. It's dance influenced folk music.
3rd -
Foots
It's my features album. 30 tracks. Working with everyone I admire in industry. Some tracks I provide minimal vocals and just produce. Criticized heavily for being overpowered (both in vocals and sound and direction) in tracks and for it being a clear ploy to get hits. Again people are too stupid to get me.
4th -
Se_lo_t
My least commercial album. My Impossible Princess, Bedtime Stories, whatever. What I'm getting at is I ripoff Bjork in it. Bitches don't pick that up. Hipsters and critics come back in droves. First single
s_X highest peaking single peaks at 16 on Bilboard. Second track
_ə_ (the album tracks spell out sellout, in response to harsh criticism over my last two albums, it spelled weird because I'm that avant-garde and ****) peaks at at 20. The rest, which are released every other weak don't make the chart.
5th
- Two Feets.
Another featuring... album, half the tracks I don't provide vocals. Happy album, still weird, very successful. Two number ones. Cut short after my highly publicized , rumored relationship with a high profile actor ends - allegedly.
6th -
. (just a period.)
Sad love songs, half of them covers. Dark, sad has the weakness my debut album had but not the crisp overtly perfect sound. Which makes it more more perfect to critics somehow.
Tear jerker.
Covered a lot by media ($ale$), this is my breakdown era. Drugs, alcohol, not showing up to get my Grammys. Mess.
- End Solo Career-
Make a band. Debut album is called
LONE \ / \ / OLF all sad songs about me not being able to go on alone anymore. Horrible direction and sound. Tanks. Band falls apart, my drug use lead to me not performing with them at concerts, missing promo opportunities. Embarrassed them while performing at Grammys not hitting a note, slurring words, etc. Mess. Criticized brutally, I overdoes that night, body found next week.
FIN. (my 7th solo album)
is released posthumously the day before my 28th birthday like I planned. Album of the decade.
Bitches finally got me (although truthfully my worst album, mostly B-sides and demos.)
I just spent 20 minutes on this.
