Yes I knew that, that is what I was thinking. I definitely don't hear Autotune on most of those tracks.

Maybe a little Melodyne . Anywhoo, I really think this was a great album, and very underrated although the sales were good for the little promotion.

Everybody was produced by J.R. Rottem.

i really wish Britney works with Danja again. No offence to Max, but in my opinion she and Danja work magic together.

There is something engrossing about Blackout.

It is so addictive that you don't skip any track.

I notice barely any autotune on Blackout anyway, its only recently that she's started using it heavily, and i think thats because its the sound she wants to go for.

Yes it is I love that album.




& thank you Keri, Danja & Lago for creating that smash of a record Gimme More, "Its Britney bitch" just set the whole album off.

Yes it is I love that album.




& thank you Keri, Danja & Lago for creating that smash of a record Gimme More, "Its Britney bitch" just set the whole album off.

LIES!

I don't even understand how people can't differentiate autotune from phasers, flangers, atari & telephone sounds, etc.

Autotune is when you are not on tune and it magically makes you on tune. Example T-Pain. But most of Brit's are just for the effects e.g. Gimme More, tell me how could a girl sing like a guy without pitch shift? I can't even. The deeper register would sound natural but it would sound terrible. Or those distortedradio-like voice of britney from Toy Soldier? Remove all those effects and the song wouldn't be the same. It's not their fault if those effects are not possible to be achieve by the human voice. We all have limits, but you can't take it away from them to do this considering it's how they wanted their art to be heard by the world.