Originally posted by Kayhan

SCREAMING

http://www.popjustice.com/briefing/h...cts-new-album/

Originally posted by J a y

I'd describe this track as a roller-coaster. A rocky ride. It's not simplistic at all, which from my earlier posts leading up to the era, is what I was expecting from a Ronson-produced track but with the team, they've created something rather fantastic...

The bass doesn't transcend on the radio as well. It's more of a club banger, and those vocals are meant to be loud and aggressive. The disco tracks of the 80s weren't all calm, this is supposed to get you off your chair. Have fun. Sing along.

High like amphetamine, maybe you're just a dream

Originally posted by dwuw

[CENTER]I love the song but the moment I heard it I knew it wasn't going to be a hit anywhere. What were you guys thinking?

Originally posted by ELECTRAHEARTPOP

I'd imagine celebrating having her new single out after over half a year of basically hardly stopping recording, preparing for her promo in the US this upcoming week and finishing the last few tidbits of the record.

Meanwhile what are you doing?

Originally posted by Outlaws

Originally posted by J a y

Where are you?
Cause I can't see you
It was a perfect illusion
But I feel you watchin' me
Dilated, falling free
In a modern ecstasy
Where are you?
Cause I can't see you
It was a perfect illusion
But I feel you watchin' me
But I feel you watchin' me
Illusion
But I feel you watchin' me
Mistaken for love
Where were you
Cause I can't see
But I feel you watchin' me
Mistaken for love
Dilated, falling free
In a modern ecstasy
Mistaken for love
In a modern ecstasy
In a modern ecstasy

BACKGROUND VOCALS PUSH THE **** THROUGH

Originally posted by Tristan

Pull thru Gags

Originally posted by ELECTRAHEARTPOP

On first listen I thought it had a strange structure as a song, but in reality, apart from the lack of pre-chorus (which isn't that odd) it's pretty standard. it's the speed at which it rockets through it all that is the part that makes it so fantastic. I mean, the chorus occurs before 30 seconds and by 1:20 the bridge is looming. The tempo is also pretty high despite it not feeling like a typical EDM uptempo.

I'm also so glad we have a song from Gaga that isn't a rock cover that she can finally get her teeth into live. I'm sure many fans will be disappointed but I don't want choreography for this in performances. Give her a mic with a wire and let her go bat **** cray.

A cute performance idea might actually be to have her sing with the mic in a crowd on stage, like Rihanna's dancehall VMA segment, and then come the bridge she can ride on one of their shoulders and swing the mic around like no ones business and create a real ATMOSPHERIC performance.

Originally posted by J a y

Who's going to the Illusion Ball? I'm thinking of going with Monsters from online instead of friends this time.

Originally posted by G.U.Y

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