Quote:
Originally posted by DoesMonaKnow
IDK, music clubs were a thing back then, why wouldn't their sales count? I get why it doesn't fit the model of Soundscan but it was a way people were really consuming music at the time.
Come On Over was so massive ultimately, maybe 25 is dominating the market more right now but there's more than way for an album to be a gigantic success. COO had such longevity:
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yeah that's a sick longevity but remember this regarding 21:
it has had 84 weeks inside top 10 (shares the record with born in the USA)
it had its best week week 52(?), with a MASSIVE 730k
it has never left BB top200, after something like 255 weeks
it will sell over 400k its fifth year of release
it topped the year-rnd album charts both 2011 and 2012, only the second artist ever to do that, after MJ with Thriller
it spawned 3 number one hits, but Adele only promoted 2 singles properly before dissapearing
it won 7 grammys (iirc)
it's the best selling digital album ever
it never had a re-release or, again iirc, never even really got discounted
and lastly of course, album sales in the 2010's are like third of what sales were back in the late 90's!
i truly dont wanna diminish COO and its out of this world success, but enlighten facts that imo make 21 a more sucessful and "bigger" album than COO.
it really only is Thriller that i can say still is bigger than 21, but to be brutally honest, if Adele would die suddenly, 21 would end up with numbers equal to COO.