Spill it sis

It's not something new. We all knew this.

Thanks to RedOne she got to perform on a high-profile TV show yet it failed to do anything for her career cause she was dreadful and lacks charisma, but yes, blame it on someone else...

You know what, I'd take her more seriously had she not TRIED to completely change her image and sound in order to become mainstream. Of course, she failed to do so and now she's ranting about the industry and people who've given their best to make her happen... Tragic.

I agree with the writing stuff though.

Bieber teas. I know for a fact he didn't cowrite everything on his album.

I feel bad por Porcelain, she's been through a lot a bs in this industry.

What tea? We already know this from other artists who have writing credits for singing a previously written song, but changing one word.

I thought her song went Top 10 in France thanks to RedOne getting her a spot on a TV show there?

You have been pressed since 2011.

Since when is a small tv show performance supposed to launch a career? You are ridiculous. And she lacks charisma? so that is why you and everyone ignores all the other 20 artists signed to redone and focus on her.

Anyways to the pb fans that might not know, she is now in talks with a label that is reliable and 20x bigger & better than redone.

Is she shading a certain someone?

It seems like a recurring theme that people signed to producers labels are unhappy and end up getting ****ed over. I don't know why people still do it

Reminds me of what Sia was saying recently about artists using writing camps, i wonder which one of them does the credit taking though?

this isn't new or surprising but im still confused how someone can get a writing credit by just being in the room with the actual writers? do they get credit for contributing to the song's storyline or something without actual coming up with any lyrics?

I'm talking about this. On David Letterman:



I'm glad she spoke about those fake artists who hire writing camps for them and then buy their writing credits.

I love how she praised her PB songs with RedOne when she released them/wanted them to be released and now she's been talking **** about them and him.
That's when I stopped stanning for her. Too disrespectful for the fans. Acting like "I'm releasing amazing next level ****" for 4 years and then going "these songs were horrible and unlistenable". I guess the "REAL B****" persona she's trying to sell is as real as Onika's ass.

I always knew you weren't a real fan bc no real fan would think she was really happy with redone's music.

Even back in 2012 she talked with fans that she wanted the songs to be harder and more like PATT. Something she wasn't allowed to do even thought redone promised her she would have creative freedom. And if you haven't realized she is now out of her contract so she can talk all she wants about how she hated it because she is finally free.

I think organizing Twitter hashtags to convince her label, being blocked by RedOne for no reason, buying music (and the list goes on) makes me more than a real fan.
But anyway having been her fan is not something I'm proud of now, so yeah, I hope you're right

I actually feel sorry for her now. I used to think she was difficult and that's the reason why. It's pretty obvious at this point, that there's a reason why she is the way that she is.

It is ture that in indystry some of big name producers discover new upcoming producer/writer. And take their work, tracks. Give it to artists. Put their name on it.

As for 20 writers 10 writers. It's production thing. Different case.