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News: Police use Katy to disperse protesters in the Philippines
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News: Police use Katy to disperse protesters in the Philippines
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Satan
ATRL Contributor
Member Since: 1/1/2014
Posts: 22,126
Post #41
Quote:
Originally posted by
Bang Up
Queen of scaring Grammy voters and protesters in the Philippines away with her music.
Quote:
Originally posted by
Kuntmonster
Not Katy's music literally being used to drive crowds of people away
Quote:
Originally posted by
DanielMnstr
drive those crowds away!
Quote:
Originally posted by
Reverie
Tapping their batons in time with the music? What kinda gay fanfic
Quote:
Originally posted by
careerfatality
what is this gay ass mess
Quote:
Originally posted by
LoKoPaNdA
Britney being used to scare Somalian pirates, Xtina being used to torture Guantanamo prisoners teas
superben
Member Since: 2/24/2012
Posts: 30,779
Post #42
Political impact
accelgors
Member Since: 9/1/2013
Posts: 18,649
Post #43
i thought this had to be a joke, but it's real
roar has it all. sales, youtube views, radio play, longevity, oppressive power
but you know if they really wanted to scare them away they should have had her sing it live
Temporal
ATRL Contributor
Member Since: 8/19/2013
Posts: 43,104
Post #44
Roar is her worst song, good choice!
Yvess
Member Since: 8/19/2013
Posts: 18,161
Post #45
KWEEN OF DISTRACTION!
Danial
Member Since: 8/7/2015
Posts: 7,267
Post #46
The replies
Starstruck.
Member Since: 6/7/2011
Posts: 41,996
Post #47
She's such a legend
Wonderland
Member Since: 1/1/2014
Posts: 27,856
Post #48
Quote:
Originally posted by
careerfatality
what is this gay ass mess
A STREET BASS BEAT
Aurora
ATRL Contributor
Member Since: 8/19/2013
Posts: 56,234
Post #49
This is what real world impact sounds like.
Departure
Member Since: 10/21/2005
Posts: 19,258
Post #50
They should've played Dream Street. That would've stopped the riots. People wouldn't want to hear that and just go home to save their ears.
The Best One Yet
Member Since: 11/14/2011
Posts: 9,158
Post #51
Crying
Pop
Member Since: 9/4/2008
Posts: 11,720
Post #52
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