Okay, the dual single strategy was a bust.
I tried to pull a US/CAN/OC single and a UK/EU/AS exclusive one at the same time but it kinda tanked.
I first released Swim in Paris (Azealia's fourth single) in UK, Europe and Asia with above average promotion and a lot of media dates and although it attained high peaks, they only lasted for a week.
That's the problem with those territories, I can never get a single to really smash there.
Then I released Hands, Azealia's collab with Kanye, in the US, Canada and Oceania. The same thing that happened with Swim in Paris occured in Canada and Oceania, while it didn't chart at all in the US.
And this is actually weird, considering the last single peaked at #1 on the Hot 100.
I now released Swim in Paris in the US with a heavy marketing campaign to end the Business & Pleasure main era and it went straight to number 5. The era will truly end with the release of a three-track EP titled The Fine Print and possibly a DVD (the last one Azealia surprise-released made me $10 millions
).
) but it was worth it bc I wasn't gonna risk her not liking my management.
), was responsible for 70% of WW single sales the week it was released 
