2.03
I never had much use for Patrick Wilson before this, but Lou's personality is so damn winning.

Yeah, it's fun to hear him stand up to the Gerhardts and to the Kansas City boys, but it's just as much fun to see him sigh when Schmidt tells him in the courthouse about how hard this case is going to be. Patrick Wilson really picked up the same gesture and attitude as old Lou in season 1.

- I loved Mike's voice suddenly getting much deeper and more menacing for a moment in his confrontation with Lou. "...doing ME a favor."
- I felt so bad for the poor typewriter guy. Sure, he got himself into this mess, but he didn't deserve that.
- Hope somebody kills Dodd (Mike, maybe? He'd do it with style), and I hope it's painful.

The way he treated his daughter was unsettling

- I know this show has been compared to death to True Detective, but I think it's interesting just how similar the plot of its second season is to TD's second season: one death caused by a pair of unconnected oddballs sets off a massive chain reaction revealing corruption and pitting police against organized crime.
"Am I the only one here who's clear on the concept of law enforcement?" he's a charm
Quote:
Originally posted by fridayteenage
Good example of critics not mattering to America:
Critically slapped S2 True Detective managed to increase in ratings from the previous year.
Critically worshipped S2 Fargo's premiere was down 40% year-to-year; the second episode was down 58% year-to-year.
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Sadly nothing new.
I couldn't care less about ratings for Fargo because i know it's an accolade-driven show. FX knows it's accolade-driven, this season will sweep tons of awards, if season 1 did it, this will do better. + It's a mini-serie anthology, so if it get cancelled, who cares? since it's a closed ending.
And it's not really the type of show you watch week by week, tons of people will binge watch the season once it's over.