Based on the production of "Pretty Girls," I definitely wouldn't mind if The Invisible Men produce more songs for the album. I honestly wouldn't mind if they executive produced it as long as they don't monopolize the entire tracklist and leave room for other producers.
In less than 24 hours we'll be tracking it for filth.
How do WW releases work on iTunes, do they just throw it up at the same time for everyone? If I get the song at 12am, my time, then Australia would get it at the same exact time but it would be 12pm their time...
Idk.
Anyways.. The thought of being able to track a SUCCESSFUL song has me so excited. Scream & Shout felt forever ago.
I know. But if it goes top 3, that makes it her 10th top 3 single, which, out of 14 top tens, is pretty great.
Yup.
I'm personally just REALLY hoping it goes #1 on HDS either in its first week by some miracle (SYA could be under 250 if we're really lucky) or after the BBMA's. It would be her twelfth sales #1.
I want Britney to be the EP of her album. No one else.
I want her to executive produce and be in charge of the creative direction of the project, but I wouldn't mind if The Invisible Men were the primary musical producers. Like, Britney was the only credited executive producer of Blackout, but Danja clearly played the roll as well even if he wasn't credited.
How do WW releases work on iTunes, do they just throw it up at the same time for everyone? If I get the song at 12am, my time, then Australia would get it at the same exact time but it would be 12pm their time...
Idk.
Anyways.. The thought of being able to track a SUCCESSFUL song has me so excited. Scream & Shout felt forever ago.
Hilary Duff's "Chasing The Sun" was released in Oceania before anywhere else and she's also on RCA so it's possible that it'll be out in 6 hours.
I want her to executive produce and be in charge of the creative direction of the project, but I wouldn't mind if The Invisible Men were the primary musical producers. Like, Britney was the only credited executive producer of Blackout, but Danja clearly played the roll as well even if he wasn't credited.
I'd love an ITZ style album where she kinds works with a different producer for each song.
I'd love an ITZ style album where she kinds works with a different producer for each song.
I would like that to, as long as it sounds cohesive like In the Zone. In the Zone is great because it has so much variety yet it manages to all fit together sonically. I would love for her to be able to replicate that with the new album.
I would like that to, as long as it sounds cohesive like In the Zone. In the Zone is great because it has so much variety yet it manages to all fit together sonically. I would love for her to be able to replicate that with the new album.
I don't know how she did it. Going from pop to urban to sensual, to a Moby track, to dance, to urban/pop, to ballads, etc. Somehow it flowed beautifully even though each track had its own mood/sound. It'd be hard to replicate, but it'd be awesome if she did.
How do WW releases work on iTunes, do they just throw it up at the same time for everyone? If I get the song at 12am, my time, then Australia would get it at the same exact time but it would be 12pm their time...
Idk.
Anyways.. The thought of being able to track a SUCCESSFUL song has me so excited. Scream & Shout felt forever ago.
I think it's the other way around. They get the song when it's Monday for them and we get it when it's Monday for us.
So the Australians and Japanese would get it way before the Americans.
Sales market is weaker than in 2013, but again we have Iggy's fans on our side + people like it more than WB so it has chance closing to 200k, but let's not overestimate this like we always do.
But each of the ones post-Gimme More have all been 3x Plat (or very close in the case of TTWE) so maybe it's an omen. 
But if it goes top 3, that makes it her 10th top 3 single, which, out of 14 top tens, is pretty great. 
