I just realized that "Title" is the younger version of a P!nk album. Sassy and brassy, shaming most girls ("tell those skinny bitches that"), telling guys off ("kiss my ass goodbye"), but all spun as having a positive mom-approved message.
Edit: The Truth About Love and Title both have a song called Walk of Shame and they’re both exactly about the same thing
That might be true actually
Quote:
His kiss is soft and sweet
He sweeps you off your feet
He's no good for you
He's no good for you
And sure he's worth a lot of gold
But you're better than you know
He's no good for you
He's no good for you
But it's not sad though, because she's like your nice friend that wants you to be empowered and stuff. Pink is good at that too sometimes.
Adele might have found a way to make this kind of depressing and/or slightly angry (which I love but yeah).
I dream about a girl who's a mix of Fifth Harmony
Just a little touch of Sia's wild style
With Meghan Trainor's smile
Throw in a body like Taylor Swift
You got the star of my liquid dreams
Wait @ this Uma Thurman song actually being good. But obviously if you reference Pulp Fiction in your song and make the song sound like music from Pulp Fiction it's gonna be good...
God, this server Definitely getting myself banned after tomorrow's Oscar noms.
I dream about a girl who's a mix of Fifth Harmony
Just a little touch of Sia's wild style
With Meghan Trainor's smile
Throw in a body like Taylor Swift
You got the star of my liquid dreams
Wow that song really wouldn't work today
LOL Meghan's smile? Girl has no lips that it's actually disgusting.
You'd think she'd have the dignity+self respect to at least get some lip injections before that vile music video with the mouth close-ups.
@ Meowster, Peter Travers @ Rolling Stone is a great critic. He's hilarious and strongly opinionated. Hs reviews are short, informative and to the point, and he drags the **** out of the movies he hates.
He just posted his Still Alice review.
Quote:
They say that Julianne Moore is way overdue for an Oscar. She's been nominated but never won, for Boogie Nights, The End of the Affair, Far From Heaven and The Hours. Hell, I think she should have been in the race for Safe, Short Cuts, Magnolia, Children of Men, Savage Grace, A Single Man and The Kids Are All Right. You bet your ass that Moore is overdue for Academy love. She's supremely gifted, possessing the beauty of a true star and the intuitive technique of a true actress.
But here's the thing. In Still Alice, Moore's performance is so extraordinary in every detail that it should never have to be considered a payment for benefits past due. Moore shows us acting at its best, alive with ferocity and feeling and committed to truth.
Still Alice, propelled by the blazing artistry of Moore's performance, is an emotional powerhouse. It will get to you.