Quote:
Originally posted by Lord Blackout
They're like the only ones who supported Jump (The most experimental song on the record) while the rest of the world once again expected from Rihanna what the trend hopping prostitute she is would do (Personal Adele-like ballads) and the U.S embraced her generic urban bops. 
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Okay? And? No one embraced Tity's last 2 singles & Unwhatever it's called?
It's not like Rih cared about its success there enough to give it the single treatment so what does it matter anyway?
Like your fav literally released a 'personal Adele like ballad' and none cared

just give up and realise all your prostitute fav is good for is her **** and no one gives a damn when she tries to be all serious
