Lol @ those people that were saying her acclaim would go away after the beefs
ironically by waiting this long most people have moved on from her messiness and are willing to give her a chance. if she had released in 2013 critics would have been really biased against her.
Lol @ those people that were saying her acclaim would go away after the beefs
To be fair I was one of those people. It's not that I thought her acclaim would go away, more that reviewers would make the bulk of their review about her beefs/personality instead of focusing on what a great body of work she'd created. I think keeping her head down has worked wonders.
I was expecting the WORST review to come from The New York Post because they have a history of dragging her. If this is the the worst review shes going to receive.
2) Gimme a Chance: This funky rap masterpiece is armed with a perfectly hardcore flow (like it's the mid-90's female rap peak all over again) in the verses and an airy, poppy hook. The beginning of the beat sounds like a combo of No Doubt’s endlessly danceable “Hella Good,” and Survivor’s “Eye Of The Tiger,” (which totally makes sense, those two songs describe Azealia perfectly!) Gimme A Chance completely slays our existences when the Spanish outro begins. Yes, bitch is rapping in Spanish.
Spin didn't leave a score so I don't think that specific review counts they're probably gonna have another one coming
As someone already mentioned. Reviews without score counts and if the reviewer wont send MC any score, they will judge it themselves based on the review.
If Ice Princess is Azealia, Miss Amor is Iggy: far lighter, easier to absorb, much less sophisticated and lacking natural urban appeal, yet we love it too
I don't think it will unfortunately but I really like the review and the track by track aswell. Also it's a 10 
they're probably gonna have another one coming
