Member Since: 8/19/2013
Posts: 1,506
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Not so far-thinking of her to call the future format of music industry "an experiment". Still, I guess, it's easier for her to brag about albums (she even said something like "they predicted a lower number than we had before" ["just" 700K in first week] "i hope and pray people still think music has value") as soon as she's bathing in money. It's easier to judge about industry moves when you're posing yourself as exception.
I can't agree with the statements about "value of music", because how can you mesure its value? For some people, a song is something they'd paid to forget, for some people, a song is literally priceless. I don't value my favourite albums in money I've paid for them. In fact, I don't value any album like that. First thing they cost is experience, emotions, message, work. And the biggest praise is appreciation of people. If your aim is to be heard, then you're on the right track. If your aim is having your efforts paid with $$$, **** off. What give you a right to say that selling an album for 99 cents is "giving away", "not fairly priced" but selling an ("old") album for 4$ is "normal"? Is the latter fairly prised? No, that's just something people can afford. Now they can afford something for free - and they use it. Selling music itself is formality that record labels need to prove industry still needs them to distribute music, so they are paid for something. I'm sure industry now needs them just as managers, responsible for business deals, promoters, but not music distributors. The paradigm is dying out. As one singer said... "now you don't earn money from art, but from anything else". And that's kinda where it goes. Musicians will get more money from live shows, from commercial deals. Only ones who want to make a statement, a piece of art, will remain in the industry, not the ones who were aimed on generic hits and getting money. And this whole situation will lead to raising quality of music.
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