Cnn Top 10 Songs of 2008...I will Post the List for the Albums Next...This List is reasonable 
10. Gnarls Barkley's Going On
2006's "Crazy" was so convincingly insane that most people were disappointed with this reasonable-seeming follow-up. "Going On" is just a sweet soul song about moving past a relationship without bitterness ("May my love lift you up to the place you belong/ But I'm going on"). Still, it's hardly dull. Danger Mouse fills the track with little quarks and shooting stars that rotate deferentially around Cee-Lo's interplanetary vocals. If that's not weird enough for you, at least they made a strange video.
9. Duffy's Rockferry
From the way the piano bangs away at the opening chords, it's clear that 24-year-old Aimee Anne Duffy isn't planning on just singing a song: she's going to announce her arrival. Duffy delivers on the fanfare with an audacious vocal test drive that shows off impressive control in the first verse and the full fusillade of her range in the third. She makes pit stops along the way in Memphis and Motown for inspiration — and maybe takes a little too much inspiration — but as debuts go, it's hard to think of a recent one that's as instantly attention grabbing.
8. MGMT's Time to Pretend
It's a challenge to communicate one simple emotion in a pop song, let alone two complicated ones. The achievement of "Time to Pretend" is that it's simultaneously detached and wrenching. Brooklyn duo Benjamin Goldwasser and Andrew VanWyngarden mock their own rock star ambitions ("I'll move to Paris, shoot some heroin, and **** with the stars/ You man the island and the cocaine and the elegant cars") while a space-pop melody with a Ziggy Stardust-worthy keyboard riff builds and swirls around them, gradually overwhelming all the irony until what started as a joke of a song ends in genuine sadness.
7. Beyoncé's Single Ladies (Put a Ring on It)
People who don't dance usually don't make exceptions, but I saw a man who has abstained from any rhythmic movement for nearly a decade crack within 20 seconds of hearing this ludicrously infectious Beyoncé hit. The rhythm is double-dutch. The lyrics are liberating if your idea of liberation ended with Gloria Gaynor. The melody is — who are we kidding? It's not a melody, just the sound track from the '80s arcade hit Frogger. Still, "Single Ladies" works because Beyoncé cuts through all the racket like a train whistle and she seems to believe every word she sings, while the slightly menacing minor chords that creep in halfway through keep things from getting too repetitive.
6. Jonas Brothers' Burnin' Up
Overlook the indulgence of a rap verse contributed by their bodyguard and this is an almost perfectly constructed pop song. Allegedly inspired by Prince, Disney's adorable little cash registers sing about their infatuation — "High heels, red dress/ All by yourself/ Gotta catch my breath!" — in credible R&B falsetto over power guitar chords. The production is door-in-the-face obvious (there's a boiling kettle at the open to make sure we get that they're burnin' up) but edginess is not the point; sweetness is, and the Jonases achieve it with irresistible harmonies and exuberance.
5. Fleet Foxes' White Winter Hymnal
This chorale roundelay about a school trip to the woods in winter is just 52 words and two-and-a-half minutes long. Songs don't get tinier, but Fleet Foxes pack their miniature tale with an eerie plot ("I was following the pack/ All swallowed in their coats/ With scarves of red tied 'round their throats") repeated with slightly more instrumental oomph in each of the three verses and sung in the sweetest of Beach Boys inflected four-part harmonies. It's as quaint and precious as a Joseph Cornell box, and just about as pretty.
4. Lil Wayne's A Milli
Like all rappers, Lil Wayne rarely lets a song go by without declaring at some point that he's ill. The difference is that he really seems to be. The backing track here — little more than a bass kick, some plastic-y snares and an endlessly looped sample of the words "a milli a milli a milli" stolen from A Tribe Called Quest's "I Left My Wallet in El Segundo" — never coheres into a chorus, and all the elements move in different rhythms. It's like hearing a song through cough syrup — perfect for Wayne, who wheezily declares "I don' write **** 'cause I don't got time," and then conjures up enough crazy, off-balance wordplay to convince you he's either a liar or a savant. Either way, he's definitely some kind of ill.
3. Ida Maria's Oh My God
A million songs have been written with these three guitar chords and a million more have used lyrics like "Find a cure for my life." So what makes "Oh My God" one of the best songs of the year? Ida Maria Břrli Siversten. This 24-year-old Norwegian has a powerhouse voice — deep, commanding, a little masculine, exotic, too, like Nico, but with an abundance rather than an absence of feeling. As her taut band rips away at their instruments, Ida Maria turns her lyrics into epic drama; singing the word "God" in the chorus, she times the g to the crash of the snare and the roar of the guitar, just in case there's a deity who could ignore her.
2. Pink's So What
Justin Timberlake's "Cry Me a River" remains the greatest rebound song of all time, but at least Pink can say she made a spirited run at the crown. "So What" packs in chanting, hand claps, a nursery rhyme melody and a chorus overdubbed until it sounds like 50 Pinks are calling her ex "a tool." It's the least subtle act of pop vengeance since Lisa "Left Eye" Lopes lit a match. It's also astonishingly fun thanks to the rubber-ball bounce of producer Max Martin's keyboard hooks and Pink's swaggering, emotional vocal. You definitely don't want to break up with her, but no song this year was as much fun to go out with.
1. Kanye West's Love Lockdown
Singing in an Auto-Tuned monotone with little regard for melody, West sounds ghostly as he recounts his romantic failures in brutal detail. Just when "Love Lockdown" seems too brittle to sustain itself, humanity arrives in the form of an army of Japanese taiko drums. At first it sounds like pop-guns going off, but the drumming gets faster, warmer, wilder, and matched against West's distant vocals "Love Lockdown" turns into a dance song about misery — far closer to "Love Will Tear Us Apart" than any hip-hop ancestor. It's easily the most interesting pop experiment this year, and, if you grant its premise and stick with it, also the best.
The sunday times placed it top of their list of best songs for 2008. Such a shame it didn't do great