Introduction

Right before Céline took to the stage, an electronic buzzing introduction took place. The entire arena blacked-out with white lasers buzzing everyone, and the lights flickered all over the room. The electronic buzzing sounded of a scale, in which when it went higher - the tempo would pick up, but when it went lower - the tempo slowed down to the normal/original tempo it started at. Suddenly, the sound of guns and grenades began invading with the electronic buzzing. About ninety seconds in, low-key orgasms and sensual noises start to blare through the sounds and the electronic buzzing began to fade out a little bit. As everything started coming down, Céline began to be lifted down onto the stage in a glass tube, where many people began to have meltdowns in the audience. As the glass tube hit the floor, everything went chaotic again. The lights were flashes three times as quickly as before, as the electronic buzzing sounded like someone banging on the floor, just at a crazy face speed and everybody was screaming and in awe at this marvelous introduction. Everything stopped suddenly and Céline fiercely opened, then stepped out of the glass tube where the only light in the arena was one white spotlight from the Céline pinned on her. She smiled to the crowd, laughed and whispered: “I’m back bitches…” and the music to “Ratchette” kicked in instantly as the audience roared.

“Ratchette” featuring Barbra Streisand

“United Kingdom - who’s ready to **** it up tonight?!” she shouted as the music played. The lights and everything finally turned on as Céline began to sing the #1 Best-Selling Single of CAL4. She wore black leather boots with a white, loose dress that was flowing everywhere. She did some robotic choreography with her dance crew to the first verse of the song, her vocals sounding better than ever and her glowing as bright as the white lights. The screens showed different locations of famous sites in the world, with “#RATCHETTEGIRL” in bold pink fuzzing in front of the pictures. As the pre-chorus kicked in, which Barbra had ad-libs in, Céline took off her dress to reveal black shorts and a gold-shimmered top. She did intensive choreography in the chorus which she belted out her parts oh-so perfectly. She then walked down a huge runway, posing for cameras and paparazzi during the second verse. She spun around, acting like a sweet innocent girl until when she spun for the fifth time, she held up a knife in the air and began to do choreography with it. As many of the dancers brought up other weapons such as guns and spears. Their was suddenly a dance breakdown, where all of them began to fight each other on the runway as Céline shouted: “I’m sorry, I’m not a murderer!” as somebody pinned her down. A tear comes down her eye, as the man tries to kiss her. She flips him over, pins him to the ground and stabs him with the knife. Neon pink blood squirts from him as Céline takes it and spells: “Fame” on her forehead and sings the final chorus a cappella. Her voice vibrated throughout the entire arena, as she held out one fabulous note while the piano player began to play dramatic music from the 1960s as Céline strutted off the stage with her crew. The piano player played the theatrical piece for three more minutes, as Céline came out back on the scene, having transformed a bit.

“Dis Bae"

Her hair was ombre, but not very much, and straightened. She wore ripped white jeans with some untied purple Jordans, and a crop top over a gray sweater. She looked stunning, as she dressed a little laid back. “How’s London doing tonight? hahaha” she laughed a little bit into the crowd. “You see, I’ve been away for quite some time and you know, things didn’t really work out as planned. I mean, if I had it my way I would’ve released the album in February and would’ve been like the biggest female artist or something like that. But, you know, life comes in and sometimes plans change. So… I went to The Bahamas and Barbados for a few months. When I came back, I was 110% freshened up. Like… I was full of so many ideas. And this idea hit me - and I was like - YES. YES. YES.” She then took a seat in the middle of the stage and continued preaching as many girl dancers dressed in rugged clothes came out to the stage. “And I told y’all that if you came out, you were getting new ****. And NO - this isn’t from the album. This is NEW. NEW NEW NEW ****. This one’s called, ‘Dis Bae’.” The drumbeat hit and the crowd went absolutely crazy as all the girls formed a huge horizontal line across the center of the stage. They all started popping low as Céline was hyping up the crowd. “Let’s go London!” she shouted as they all were in squats on the floor. The beat played and Céline started rapping. The song was very “Boss Ass Bitch”-esque, having only one consistent beat throughout the entire song except for the chorus which had more little details come into play. The chorus was extremely infectious, as by the second time people were already chanting the lyrics: “I said OK, dis bae / She wanna, drop it low / I said OK, dis bae / She’s crazy, wanting more / I said alright, tonight / She ain’t, stopping ’til the dawn / I said OK, dis bae / Four in the morning, drunk walking home” as some of the lyrics towards the end of the chorus varied throughout the song. The choreography was filled with lots of hip-sways, twerking and some chair choreography. She popped her arm up in the air at the end of the track and the crowd roared with surprises. “That was ‘Dis Bae’, y’all are gonna have it very, very, very soon.”

“Make It Happen” cover of Mariah Carey

She took off her sweater and then put on a white coat, buttoning only the middle button and started walking towards the front edge of the stage, and she smiled. “I decided, that since I could do four songs, I wanted to actually cover somebody I admire very very much. I had the honor of collaborating with her in 1997 with many other legends, and although now I’m headed into a different direction, I’m never gonna forget where I started. And this women is such a big inspiration for me. This is a cover of ‘Make It Happen’, by the legendary Miss Mariah Carey. Hit it!” The band played the song as Céline strutted alone on the stage, beginning to sing the song using an R&B side to her voice which sounded very sheik and expensive. She waltzed all around the stage during the song, interacting with her fans and her vocals completely slayed the song. She took a bow and then held her hand up in the crowd.

“Lick It Up"

“London, I had such an amazing time with y’all tonight! I love you very much, and this is my final song. And since we are on the Naughty Girl Tour, I thought of giving you something very, very raunchy tonight.” Suddenly many shirtless men came onto the stage as Céline took off her coat and changed her shoes into black heels, low-cut though. Lots of skin was showing, as she was looking radiant. She headed all the way back to the main stage where the men were, as only one chair was in the center. She sat on the chair with her back facing the audience, as she bended down to form a really sexual position. “This song is called ‘Lick It Up’,” she whispered as the men came all around her. Poles arrived from the sky as some women were on it. Céline began to moan and sing with her low-key R&B tone of her voice as many began to touch her. “You say, you like it rough / But I can give it to ya, smooth / Just gimme, one more minute / I know, how to play it cool / You say, you want it freaky / I got, everything you need / To meet, your true desires / Lemme pump it up, your heartbeat” She sang from the first verse, which did contain more lyrics as she did solo choreography on the chair with the men looking very impressed. She then squatted low, and swayed her body singing the chorus. “So lemme, do you a favor / Get down with, the flavor” she kept repeating as she falsetto-ed the lyric with the title in it. She then held up one of the men against her on the wall and he started pressuring her, kissing her all over her body as she pushed him away and she strutted down the other stage with all the men following her. They all did some nice, relaxed choreography at the front of the extensive part of the stage, as Céline messed up her hair and got on her knees, rolling her head around and sticking her arms out the edge of the stage, with many of the audience members trying to touch her or drag her down. She then flipped her body over, and one of the men put some whip cream on her stomach with a cherry on top, as her licked her body and she took the cherry, eating it and laughing a little bit into the crowd. He then helped her up, as she did some more choreography with the boys, and the strippers came to the men as they held the woman in various positions and Céline said: “Ain’t that tasty?” and the music ended. The crowded roared and a countdown clock was into effect, then everything powered out and the show was done.