Omg, you guys have to watch this. He is annoying AF but he speaks only the truth.
Just watched this too. I didn't really find him annoying (apart from blaming RCA for everything instead of Luke, but I see he corrected himself after), and pretty much everything he said was right and what (most) of the Animals have been saying, too. It's just sad.
But things are looking up now, I suppose. Hopefully whoever wasn't allowing Kesha to have much creative freedom will take Warrior and the backlash from the GP and the Animals as a learning curve and give Kesha the creative freedom she deserves. She's an artist, not a cash cow.
Also, about the Last Goodbye vs. Out Alive lyric quality comments collin made, I'd never thought of it before. Last Goodbye is my third favourite Kesha track of all time, but the verses in particular have one or two not-so-great lyrics.
Chorus: Last Goodbye > Out Alive
Verses: Out Alive > Last Goodbye
Overall: Last Goodbye > Out Alive
Out Alive had potential to be cool but was completely ruined with that overproduced generic instrumental. A deconstructed version though would slay careers.
Out Alive had potential to be cool but was completely ruined with that overproduced generic instrumental. A deconstructed version though would slay careers.
This applies to basically every Kesha song, so yes.
Out Alive had potential to be cool but was completely ruined with that overproduced generic instrumental. A deconstructed version though would slay careers.
I feel like she intended it to be somewhat similar to Dirty Love, the way she kinda screams in both songs are very similar.
Although she was in the studio while it was created, and it was one of the songs without Dr Lukes contribution, so maybe she wanted it how it is now
The random fire alarms
The way she says 'come on brother' like she's about to slaughter someone
The bridge that goes for like half the song
That random ass Julianee chick
That scary robotic low pitched voice
The way she says 'I'm about to barf... seriously"
The way she sounds like she's yelling into the microphone in the chorus
The corny, tacky and desperate "drags" in the bridge
The ending
The random fire alarms
The way she says 'come on brother' like she's about to slaughter someone
The bridge that goes for like half the song
That random ass Julianee chick
That scary robotic low pitched voice
The way she says 'I'm about to barf... seriously"
The way she sounds like she's yelling into the microphone in the chorus
The corny, tacky and desperate "drags" in the bridge
The ending
This is amazing, stfu.
The bridge is flawless. "He must have amnesia and lost his way".
Everything about it is amazing. It's just a ****ing fun song. I love it and that's all that matters I guess.
...
This version remains the best and most flawless, though.
