I'm so sick of social activists having problematic opinions.
I'm sick of the gay community thinking someone like Beyonce is supposed to make a song for them or nod at the gay community in an album that's self-titled and clearly supposed to be about HER. And they refuse to acknowledge that a song like XO can literally be applied to any love relationship, which so many songs can't hold a candle to.
I'm also sick of the black community being pissed about the Grammy's when they were represented just fine.
A large, large amount of the performances were by black people... and MANY won Grammy's, as well...
WHAT is the problem? Why are we whining when Beyonce and Jay-Z opened the damn award show?
WHY are we whining when the virtually irrelevant John Legend got to perform at the Grammy's?
WHY are we whining when Pharrell won producer of the year? Granted Kendrick got robbed among other
rap artists, but that doesn't automatically mean Macklemore won because he's white. Jesus lord.
Good enough to perform in the whites only bars but not good enough to use their toilets.
rushed piece of trash? The Red Album was more acclaimed than Full Moon, ok?
RBTL was indeed a rushed mess. And okay?
Regardless of what you say, RBTL was all over the place, was incoherent, and the vocals were drowned in the production (As seen in most of the songs on the album).
Beyoncé has only one f***-up her in her discography, and that's "If I Were A Boy" -- quite literally
the worst song in her history, and just in general, a really boring, obnoxious song. I have
no idea why Beyoncé and Matthew Knowles were fighting so hard for that trash.
BEY'S EXCESSIVE RUNS? How about Smash Into The Car, If I Were Brandy, The bridge on Halo (Of Brandy's Victim), & even Satellites Still Can't Catch Brandy Speeding had runs.
And how about the song Brandy's producer Darkchild produced? Scared of Lonely could have been just as effective had Brandy had it.
And the breathy vocals/whispers layering of Focus over the singing/talking Brandy did on the song can be seen in IIWAB, Disappear, WDYLM, & TWYB. She does what Brandy did on all of those songs.
You don't even believe that ******** that you just typed.
Sounds like you don't even know what a vocal run is.
I'm done with u.
Rank, Sales, Song, Artist, +/- Position Relative to Year-End 2012
1. 8,438,000 I GOTTA FEELING - Black Eyed Peas [=]
2. 8,060,000 ROLLING IN THE DEEP - Adele [=]
3. 7,821,000 PARTY ROCK ANTHEM - LMFAO feat. Lauren Bennett & GoonRock [=]
4. 7,545,000 SOMEBODY THAT I USED TO KNOW - Gotye f/ Kimbra [=]
5. 7,304,000 CALL ME MAYBE - Carly Rae Jepsen [+4]
6. 7,266,000 THRIFT SHOP - Macklemore & Ryan Lewis f/ Wanz [NEW to the top ten]
7. 7,054,000 POKER FACE - Lady Gaga [-2]
8. 6,882,000 LOW - Flo Rida f/ T-Pain [-1]
9. 6,860,000 JUST DANCE - Lady Gaga [-3]
10. 6,830,000 WE ARE YOUNG - Fun. f/ Janelle Monaé [NEW to the top ten]
No Katy ? No Rih ? Gaga soon to leave the top 10. LOL
Woo only 140k more to go for Just Dance to pass 7 million. If it does ~3k per week it can do it by the end of the year. It's #942 on iTunes atm, how many sells would that be per week?
Regardless of what you say, RBTL was all over the place, was incoherent, and the vocals were drowned in the production (As seen in most of the songs on the album).
and yet it still influenced Brandy to copy it with Anybody
can't be too bad of a song
especially to the 'vocal bible'
