Why would there be when both Gimme More and Scream & Shout have the word Bitch in them?
Like, where is the logic?
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Originally posted by Reza
nnnnnn, the rapid progression in her aggressiveness of saying work bitch is hilarious. at first shes barely whispering then by the last one shes like WORK BITCHHH.
Yes, how she at first was reluctant to say it and then just bursts it out like crazy.
Xtina is just as bad on interviews, for different reasons. she just rambles like a dumbass, and random laughs after every delusional sentence or self drag..
King Bloodshy always there for the critical acclaim:
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Meanwhile, on the mostly lackluster Side B, there’s another empowerment anthem, “Love Me,” that’s the polar opposite of “Roar” in nearly every other way. Produced by well-known pop mastermind Bloodshy, it’s got a questionable title and silly lyrics but it manages to transcend those issues anyway. Where “Roar” stomps and brays, “Love Me” tiptoes and murmurs. It’s an understated, crystal-clear dance-pop track constructed around nimble piano, swirling synths, and a driving but unobtrusive club beat. Like “Roar,” it’s filled with details that make every twist and turn refreshing: pitch-shifted backing vocals, the handclaps on the bridge, those breaks of sustained left-hand piano just before each refrain. In the middle of it all, Perry isn’t roaring at all but instead delivering the record’s only subdued vocal, wisely deigning to keep things modest even when the song escalates to the point where it sounds like sun breaking through storm clouds. So much of big-budget pop right now motivates listeners to dance by bludgeoning them into submission, but when “Love Me” really takes off around the halfway point, it feels like a warm invitation. It’s nowhere near as good as, say, Annie’s “Heartbeat,” but it shares similar musical priorities, and in 2013 that’s a rare thing on an album by an artist as charts-focused as this one. On “Roar,” Perry demands our attention using tried-and-true techniques, but on “Love Me,” she actually earns it. The song’s central complaint is, “I lost my own identity,” but it’s the only track here that stands out from the crowd in a positive, interesting, and meaningful way. It’s not the “darker” Perry one might be hoping for on Prism in light of its press materials, but it’s actually kind of marvelous, and that’s definitely a start.
I don't really love Love Me but they better stan for one of the best pop producers around.
By The Grace Of Katy is the best ballad this year
the acoustic iTunes festival version >>>>>>>>>>>>>>>>>>>>
the studio version was ruined by an unpaid intern accidentally sitting on the controls
calling people dogs now? i thought you were better than this sis. uhm bye.
