woman can act all feminist and strong they want in their normal lives but at the end of the day all they want in bed is to get ***** really hard....notice ***** is passive.....
Can't stop because I love it hate the way I love you
Is better than anything Lorde has ever written. And Selena's a better singer too.
Jomarr, they called me here a troll but oh well, you are so right with all your saying, and quite a rendition of Selenea's Royals, not only the superior singing also the passion, the charisma, so mature, Selena you will come far for sure
And then Lorde, so lifeless and also the spectators, so dead
Jomarr, I adore you and your posts
But next time it would be nice, when you never ever respond to a post of mine
Lorde is getting way too polarizing and annoying early in her career. She won't last long.
This! She should have contained herself until she made enough money and established a decent career. If she continues like this she will be gone by next year.
This! She should have contained herself until she made enough money and established a decent career. If she continues like this she will be gone by next year.
Don't you get it?
Ever heard this legendary quote?
Quote:
Veni, vidi, vici
Just from Yesterday, she was in San Francisco, at the legendary Fillmore Theatre
Review: Lorde reigns over Fillmore fans
Quote:
Oh, Lorde.
The heavily hyped vocalist, whose real name is Ella Yelich-O'Connor, definitely lived up to the buzz during her sold-out show Friday at the Fillmore.
She's just 16, yet her age is basically all she shares in common with most other teen stars. During her San Francisco gig, which just may well have been the season's toughest ticket, Lorde evoked memories of some of the greatest stars of the last 20 years -- including Bjork, Fiona Apple and Tori Amos.
The New Zealand native has a long way to go before she's ranked in the same league as those other women of song (especially Bjork), yet she's certainly off to a fantastic start.
No wonder that so many are treating Lorde's arrival on the scene with the same gusto once shown to Amy Winehouse and Adele. Unlike those earlier buzz-bin artists, however, Lorde isn't riding the retro-soul train, but rather updating '80s and '90s sounds in her likable brand of electro-pop.
She arrived at the Fillmore on the same day that the full-length studio debut "Pure Heroine" hit stores, although most of the fans in attendance already knew much of the set list from Lorde's previously released EP ("The Love Club"), singles and videos.
Lorde opened the show with "Bravado," appearing between a drummer and keyboardist on a dimly lit stage. At times, she was nothing more than a silhouette, inching through her atmospheric cuts with grace and style. The whole production was very Portishead in nature, and it only strengthened the aura of mystery that already engulfs her young career.
It was hard to get a good look at her onstage, but I was fortunate enough to get a close-up view as she walked through the Fillmore balcony before the start of the show. Her most striking feature is her hair -- which is an absolute mane of thick, curly locks. She actually quite resembles Princess Merida, the heroine in the 2012 Disney-Pixar animated film "Brave."
Some of her fan base will clearly get that comparison, while it might be lost on others. Lorde draws supporters from many age groups, ranging from young fans who might've watched "Brave" just last week to people who could be their parents. And they all sung along with glee to the music.
It's Lorde's ability to appeal to such a wide range of ages that really makes one think she could have a big impact in music. Plus, it's really easy to imagine her holding onto -- and expanding upon -- her initial fan base as she further matures as an artist.
The 1,100-strong audience showed the most love on this evening for the platinum-certified smash single "Royals," the song that really served as Lorde's introduction to the public. Yet, the fans seemed nearly as excited to hear "Biting Down," "Tennis Court," "400 Lux" and the other numbers that filled out the 12-song, approximately one-hour set. Plus, it was great to hear her croon through the Replacements' "Swingin' Party," a choice of cover material that further underscored her surprising maturity as an artist.
She's clearly being marketed as the anti-pop star, it seems like a marketing scheme to fit with Royals.
Glad i'm not the only one picking up on this. It's just like Avril Lavigne in 2002. How her team would have her shade all these popstars so she seems more "deep". It's a shame because I don't think Lorde needs marketing because her music is good enough.
This bitch needs to shut the hell up, there's nothing wrong with a woman wanting sex I can't stand feminists like this, the whole idea of feminism is equality and yet they believe that women are too dumb to decide for themselves if they want sex
Quote:
Originally posted by ontherocks
I AM SICK AND TIRED OF WOMEN WHO TELL OTHER WOMEN HOW TO BE.
"HEY, YOU NO FEMINST! STOP THAT! BE ONE! FEMINISM MEANS THIS:....READ MORE!"....Bla bla bla...
Lorde does not seem to acknowledge that feminism means that a woman is free to express whatever she wants if she feels the desire to do it.
