Earlier today we leaked Britney Spears' logo for her new record label, Toxic Records.

We were unsure if it was the official logo;however, in Britney's interview in Tokyo SHE confirmed that it is the logo, and although she is upset it leaked, it gives her a push to work more quickly on the record label, she also said the she signed a BIG artist and is ready to start the label up ASAP. She plans to release more details on the label tomorrow.

The interviewer pushed her and pushed her to say who the big artist was, Britney finally budged.

She announced that the artist she signed was none other than... Justin Timberlake!

Remember this?


Is hollywoods power couple officially back together?
Will they work together to dominate the music industry?

So many of our questions about this strange collaboration are unanswered, we thought they didn't even keep in touch!

This picture also leaked onto the internet from an unknown source


We assume it's a possible single cover for a new Justin song that will be coming any week now, lucky for Toxic Records there is no single title on that picture.. Britney might want to keep an extra lock on her exclusives from now on;however, for our sake, we sure hope not.

And don't forget, Britney's Outta Control is still slaying on iTunes being #1 almost everywhere!, not only that, Britney bought a huge radio deal for the song, you can't find a radio station that isn't playing it!

Critics are praising the song and her shocking performance.
Calling it one of her best songs/performances of all time

As if Outta Control wasn't enough to keep Britney in the lime light, this sure will. We can't wait to get more information about Britney and Justin.

Ready for the JT&Britney Collab
Namie and Jolin already bought their copy, they're jamming to it during the recording sessions

make sure to buy HEAVEN while you're there for $1.29

Originally posted by Disco_Blisters Ready for the JT&Britney Collab Namie and Jolin already bought their copy, they're jamming to it during the recording sessions make sure to buy HEAVEN while you're there for $1.29

Offical Logos for Disco_Visions Signed Artist

Originally posted by N1cki F4N @Zendaya Hey Zens, big news about my album coming Here's the cover http://i.imgur.com/HLrlSrl.png with the name blurred. Download and Stream Manhattan till them

Marina and the Diamonds - "I Won't Miss You"

After just joining her label, Written Without Warrant, singer Marina and the Diamonds has announced her newest single, coming out next Monday, July 29th. The song will not be available for pre-order, nor will it be eligible for charting at all until its release week.
The song is set to hit radios the Sunday before its official release, and will be 5:49 in full-length, but 3:14 for radio edits.
Written by Marina Diamandis and one of the song's producers, Porter Robinson, the song describes Marina's thoughts about the aftermath of a terrible relationship.
Immediately after the announcement, the song was available for a livestream once on her official website. In order to reduce illegal ripping & downloading of the song, the stream was only accessible through her website in a form that audio recording devices would not be able to get a clear download of the song.


Release date: July 29, 2013
Written by: Marina Diamandis & Porter Robinson
Produced by: Porter Robinson, Madeon, Marina Diamandis & Varien
Length: 5:49 (Album version); 3:14 (Radio edit)
Genre: Complextro, electro, dubstep

"Opening to a simple hi-hat rhythm and a gentle piano melody, the song doesn't have an immediate emotion to it. It's peaceful and sweet, but it's far from the harsh, almost-taunting & naughty feel that may come later on. Marina vocalizes, sounding like a siren ready to lure the listeners to the rocky but perfect rest of the song to come. The hi-hats stop, and it's just the piano, Marina's vocals becoming layered, harmonizing with herself. A small, subtle synth builds in the background as the first verse begins, almost hinting at a beat drop, but being far from what's really coming. Marina sings on and on about what she did wrong in a relationship, stating she 'Shouldn't have trusted you in the first place'. After the first verse, in the pre-chorus, there's a definite choir in the background over a stomping drumbeat, with loud synths sizzling and ringing around, the obvious work of Madeon. Marina sings, her voice full of emotion, but still held back compared to the upcoming chorus. After a moment, there's a heartstopping bass note, though it's faded, as if ready to build up to something; it could only be the wonderful Porter Robinson. After the bass note, there's a dreamy, rolling type of synth that's gentle, the only sound in the song as Marina stopped singing for a moment; still Porter Robinson. After around ten seconds of the synths, they fade down, but still remain, as a low, grimy little dubstep beat (But not full out WUBbing) begins thanks to the contribution of Varien to the song; there's a subtle 'wub', just enough to please fans of dubstep, though it's far from any amazing dubstep song put out before. After the beat stops, there's a moment where there's complete silence... And then the song erupts into rocky madness. The drums kick in, stomping and loud, a regular, familiar rhythm, but still loud and alarming. The bass hits, low and loud enough to blow out some speakers if you're not careful enough. Marina begins to sing an obvious chorus. Other synths swirl and sizzle in and out. '(You and I can't settle our s**t, just admit that you were wrong'). Once the lyrics are finished, the drum goes to only a kick and the bass dies down to a small rumble, but the swirly synths remain as Marina vocalizes once again, similar to the intro. In the second verse, she continues on singing, her voice more angelic than ever. The beat is simply an electro kickdrum, similar to Madeon's previous work, though with each beat, there's a hidden sizzle and crackle, as if the drum is forcing sound out. The song repeats itself for the pre-chorus and chorus, though the first bass note and the dreamy synths are gone, leaving only the regular pre-chorus and the small Varien-y dubstep. Once the chorus ends, there's the sound of a couple fighting added to the background, and there are obvious swears in their fighting. Once the couple stops yelling, there's the sublte sound of a woman crying.... And then all Hell breaks loose. The bass returns, harder and more aggressive than the chorus; this one's sure to empty someone's bowels if they're sensitive to their music (And it's far from something for the faint of heart). Marina begins scolding her ex-lover, calling him a variety of names ('You selfish little prick, I was only trying to love you!'), and her voice harmonizes with more vocalizations underneath. After thirty seconds, the song stops for more silence, and there's the sound of a speaker blowing out with a small sizzle... There's a brief buildup, and the smashing chorus returns, the sound of many hi-hats, acoustic drums and smashes adding to a sense of chaos and urgency in the song. The bass is less crunchy, more rolling, but definitely loud and raving, proper to send any club dancers into overdrive. Synths dance and fly madly around the song, and then it all ends with one loud smash."

Far too much has happened
And it hasn't been that long
You and I can't settle our s**t
Just admit you were wrong
I've grown and matured
And I'm still getting better, too
You'll remain this petty little coward
And I'm saying, I won't miss you

Originally posted by AdamAL4 Robbie's essays are back.

Originally posted by genetic fail Why isn't Genetic Flop Records in the OP? Anyway, how much can I have Paris Hilton for? I'm thinking of continuing her iconic Appetite era

Originally posted by X/O/X/O GO TO BED.

Originally posted by genetic fail It's 10AM in the Philippines Anyway, we betta show these noobs who the bosses are