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Celeb News: Jessie Ware "our generation's Beyoncé"
Member Since: 4/28/2011
Posts: 26,425
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Jessie Ware "our generation's Beyoncé"
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To begin to understand where Jessie Ware is coming from, let's look at her stuck between an acoustic guitarist and an MPC beat pusher in the back of a London taxi. As part of the simple, self-explanatory "Black Cab Sessions" web series, the 27-year-old British singer recently took her place in the middle seat and proceeded to offer a nuanced live take on "Wildest Moments", a slyly epic ballad from her debut album, Devotion. In such tight quarters, she's not quite sure where to look-- at her bandmates, outside to the street, or directly into the camera-- her head on a controlled swivel. She's capable of blasting the back window out with her voice, which consistently strikes blue notes somewhere between Sade and Whitney, but she holds back, well-aware of her unplugged environment. The performance is seriously moving, and yet Ware lets loose a few brief grins and a slight laugh, as if to say, "All this is quite ridiculous, don't you think?" And that's Jessie Ware: a devout realist making the most of her pop-star dreams-- and her commitment to both sides of that equation turns Devotion into a uniquely soulful masterclass.
If you've half-slept through just one episode of a reality-television singing competition over the last decade, you're probably somewhat privy to Ware's trajectory. The one-time theater kid started out as a backup singer before nearly giving up her musical aspirations to be a journalist. But then, thanks to a montage-ready twist of fate, she ended up singing lead on melodic bass producer SBTRKT's 2010 single "Nervous", which led to a solo label deal, which led to Ware being forced to take the spotlight. But oftentimes backup singers are off to the side for a reason, and the hard truth is that's where they will be most productive; there are only so many lead roles in the world of pop. Considering her self-described "boringly sensible" outlook and the doubt pinging around her brain ("I had to get past the idea of, like, 'Who gives a **** about what I'm gonna ****ing write a song about?'"), Ware sounds more like a supporting player on paper. But then you hear her voice, and any and all limits start to fade into the distance.
Singing over futuristic electronic tracks like "Nervous" and dubstep producer Joker's "The Vision", Ware sounded strong, but also somewhat overshadowed by the showy bleeps scurrying around her. Devotion, however, marries her natural gift with throbbing instrumentation that breathes life into every single turn of phrase or sensitive vocal embellishment. The tempos bounce lightly, the drama escalates, the synth-laden ambience cascades like so many postcard waterfalls. This is smoldering music, its smoke bewitching enough to make the original fire more or less irrelevant.
The record was largely produced by three men-- Dave Okumu of UK art rockers the Invisible, Bristol electronic upstart Julio Bashmore, and singer-songwriter Kid Harpoon, who co-wrote songs on Florence and the Machine's Ceremonials-- each leaving his distinct mark without distracting from the whole. Okumu's tracks, especially opener "Devotion", are dark and dense, hinting at passion's underbelly with each deep bass hit; Bashmore's are more airy and upbeat, primed for classy dancefloors worldwide; Kid Harpoon offers the most festival-ready songs-- big hooks, bigger drums-- like "Wildest Moments". Tying the disparate sounds together are Okumu, who co-produced and played many instruments on nearly every track, and of course Ware herself, who co-wrote all but one song. Her voice is a marvel throughout, often gaining power by holding back or briefly teasing its scope while staying faithful to melody over melisma. Her words are in tune with this refinement as they chronicle the in-betweenness of love, dismissing easy pleasures for feelings that are more hard-won, confusing, and frightening.
Take the most classically "pop" song here: the weightless "Sweet Talk", which modernizes Whitney Houston's late-80s effervescence ŕ la Beyoncé's "Love on Top". On its face, the track is all endless dimples and mesmerizing lips, but then the verses sink in: "Don't keep me with the kisses, there's never any there when I need," pleads Ware. She knows she's going to fall for the smooth nothings once again, though, and lets the keys try to cover the inevitable regret, which plays out on "Running", where Ware starts, "Your words alone could drive me to a thousand tears." The title track, with its foreboding murk, gives whiffs of a seance as Ware asks, "Ready to love but do you want it enough?/ Can we find a way to bring it back again?" Given the track's perfectly rendered storm clouds, you get the impression she already knows the answers. The idea of running comes up often on Devotion, and it's clear that Ware isn't interested in the sprints-- when it comes to love, she's angling for a marathon. And she knows marathons can be really ****ing tough.
Talking about her childhood aspirations earlier this year, Ware told me, "It's so unattainable to be a singer. I'd watch 'Top of the Pops' and think I could never do that. And I didn't look like a pop star compared to the people I used to watch on MTV like J.Lo or Destiny's Child." As a middle-class Jewish girl from South London who's closer to 30 than 20, she's still nothing close to a cookie-cutter R&B breakout. Her success thus far-- and its likely continuation thanks to Devotion-- is a testament to both her talent and budding songwriting skills, as well as the wide-open field that is modern R&B, where a sensitive soul like Frank Ocean can make a star-in-a-box like Chris Brown look about as relevant as a dial-up modem. "I'm just having fun and trying to pretend I'm a pop star," said Ware, talking about her high-style videos. And while embellishment and theatricality is still a coveted and worthwhile pursuit within the pop realm,
the beautiful thing is that, in 2012, Jessie Ware doesn't need to pretend more than anyone else.
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 Following in the footsteps of her idol. Critical Acclaim for her debut, next is worldwide recogntion.
Stream the album here FREE: http://www.guardian.co.uk/music/musi...n-album-stream
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Member Since: 6/1/2011
Posts: 10,384
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what the **** 
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Member Since: 4/28/2011
Posts: 26,425
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The album received an 8.5 from Pitchfork. Great news
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Banned
Member Since: 5/12/2011
Posts: 423
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The album doesn't have a wiki page. 
Found the stream of her album and it's pretty damn good so far. 
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Member Since: 7/1/2009
Posts: 2,852
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Mess @ this entire article.
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...where a sensitive soul like Frank Ocean can make a star-in-a-box like Chris Brown look about as relevant as a dial-up modem.
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Member Since: 12/12/2008
Posts: 12,791
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wait it sounds so good 
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Member Since: 12/14/2011
Posts: 21,274
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I've heard about her, Imma check this out sometime 
And yassss @ P4K shading Chris
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Member Since: 3/13/2012
Posts: 9,318
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True tea, to be honest. My signed copy should arrive today!
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Member Since: 3/5/2011
Posts: 13,543
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I don't get the Beyonce comparisons, tbh. But I like what I'm hearing so far
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Member Since: 3/6/2011
Posts: 7,176
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Wait I thougth this generations Beyoncé is Rihanna.
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ATRL Contributor
Member Since: 12/7/2008
Posts: 87,284
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Most likely this generation's Sade Adu 
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Member Since: 11/4/2010
Posts: 34,287
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this is a bit of a reach however she is super talented and i hope she gets the success she deserves
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Member Since: 5/2/2009
Posts: 8,661
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Never compared her to Beyonce before, but the talent and musicality is there
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Member Since: 4/8/2009
Posts: 1,344
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they all wannabe the new Beyoncé 
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Member Since: 4/28/2011
Posts: 26,425
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Quote:
Originally posted by Jaxsin
I don't get the Beyonce comparisons, tbh. But I like what I'm hearing so far |
Beautiful, successful women who achieve prominence in their art and not degrading themselves.
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Member Since: 4/28/2011
Posts: 26,425
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Quote:
Originally posted by Beethoven
True tea, to be honest. My signed copy should arrive today!
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Did you get it from Play.Com? Mine should arrive tomorrow
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Member Since: 10/1/2008
Posts: 3,322
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NO. for the Beyoncé comparison..but I like her, though 
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Member Since: 4/28/2011
Posts: 26,425
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They also compared her to Whitney 
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ATRL Contributor
Member Since: 12/7/2008
Posts: 87,284
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This album is DIVINE 
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Member Since: 12/28/2010
Posts: 26,529
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