With some hits and misses, A.K.A. journeys through some predictable refrains with a handful of prospective triumphs.
-Billboard (Score: 78/100)
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When the scale tips too heavily toward rhythm--as it does on "Booty" and "I Luh Ya Papi"--the productions don't do Lopez many favors, burying her in their thrum.
-All Music Guide (Score: 60/100)
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The album features more guest rappers than even her 2002 remix album, and the standout "Acting Like That," featuring the always reliable Iggy Azalea, is handily the hardest beat she's ever bought. Unfortunately, A.K.A. also includes a slew of midtempo ballads whose soaring hooks and slick production are wasted on Lopez's reedy voice.
-Slant Magazine (Score: 60/100)
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There is one half of a solid album in A.K.A., Jennifer Lopez’s first new release in three years.
-Boston Globe (Score: 50/100)
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A.K.A. finds J.Lo throwing anything she can at the wall to see what sticks
- New York Daily News (Score: 40/100)
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Beyond summer-anthem contender "I Luh Ya Papi," Lopez supplements flat production from names like RoccStar with forgettable verses from rappers like T.I.
- Rolling Stone (Score: 40/100)
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Anybody who heard 2011's Love? won't find much new here, forgettable EDM-by-numbers floor-fillers jostling with marginally more inspired ballads.
- The Observer (Score: 40/100)
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The songwriting is lazy ("I feel good," she coos, "'cause I don't feel bad." Logic!). The double entendres don't make sense (is "Troubeaux" what they call trouble in Bordeaux?). And the guest stars, including Nas, Rick Ross, and Iggy Azalea, are so much more engaging than their hostess that Lopez sounds like she's been relegated to playing the hook girl on her own album.