That's exactly why it's filler. It was the last song that she wrote, and she only wrote it because she HAD to have a song titled "Warrior". It's existence is only for the sake of having a title track. Thus, it's filler. Good filler, but filler nevertheless.
And Out Alive and All That Matters aren't filler whatsoever, they're excellent dance tracks, with excellent lyrics (the only problem is All That Matters' repetitive chorus). They're probably the only two upbeat songs that Kesha actually cares for and wanted on the record, and even then one of them got demoted to bonus track treatment.
Filler tracks are tracks that are only created to fill up gaps in an album. Ke$ha wanted a rock record,
do you really think she wanted the "dance tracks" on the album?
She wanted to make the title track last, to sum up the album. Not because she needed a song as a title track. She wanted to make it last so it would definitely be in keeping with the rest of the album.
No one works that hard on "filler"
Filler is something that is made, without much background behind it.
But if you think for one minute that Kesha "fought" for dance party tracks, on an album that was going to be a **** rock album, than think again
Out Alive is just Blow 2.0. "This place about to blow/No one's getting out alive" etc.
She's never performed OA or ATM btw.
Butterfly, The Emancipation of Mimi, My Beautiful Dark Twisted Fantasy, Pink Friday: Roman Reloaded The Re-Up (the actual re-released tracks not the ones from PF:RR) The Fame Monster, Kaleidoscope Dream
- 21/19
- Ceremonials
- Fall To Grace
- Loved Me Back To Life
- Bad
- Teenage Dream
- Unorthodox Jukebox
- The Truth About Love
- Born To Die
- The 2nd Law
- Fallen