The Bel Air part made me so emotional for some reason. This was a worthy final goodbye to a remarkable era.
So many have doubted her, written the most awful and painful things, predicted she would last a couple of weeks in the industry.
Lana has proved them all wrong and gave us, the fans, so much excitement and joy with so much material, great videos, a tour and success all over the world. Thank you Lana!
The Bel Air part made me so emotional for some reason. This was a worthy final goodbye to a remarkable era.
So many have doubted her, written the most awful and painful things, predicted she would last a couple of weeks in the industry.
Lana has proved them all wrong and gave us, the fans, so much excitement and joy with so much material, great videos, a tour and success all over the world. Thank you Lana!
and all of this was just a simple glimpse of Lana, she's coming to SLAY
I wish the whole film stayed on the Body Electric theme. Omg its perfect. But the Gods & Monsters and Bel Air parts are amazing too. She gained so much of my respect today.
This film did a great job of really crystallizing all the visual and musical themes Lana's been playing with the entire BTD/Paradise era, and there were some really gorgeous shots, but overall I felt the film was weak. I found the spoken word poetry portions to have more impact than that actual "music video" portions where it felt like they had run out of direction and just kept shooting the same subject from a different angle. Which I find odd, because there are a lot of narrative holes that she could've filled during this portions of the movie (which I understand that she wanted it to have a surreal, dreamlike quality, so having each scene spelt out would work against that aesthetic she's trying to achieve). I found myself wanting the music portions to end just so it the film can actually progress.
This film did a great job of really crystallizing all the visual and musical themes Lana's been playing with the entire BTD/Paradise era, and there were some really gorgeous shots, but overall I felt the film was weak. I found the spoken word poetry portions to have more impact than that actual "music video" portions where it felt like they had run out of direction and just kept shooting the same subject from a different angle. Which I find odd, because there are a lot of narrative holes that she could've filled during this portions of the movie (which I understand that she wanted it to have a surreal, dreamlike quality, so having each scene spelt out would work against that aesthetic she's trying to achieve). I found myself wanting the music portions to end just so it the film can actually progress.
I agree to a degree. Although I loved Body Electric's video, the others had little to over visually cause the story progressed when the music wasn't being played.
But it's still amazing and looks so beautifully shot. But i find Ride to be a better video overall.
All parts were great! My fave is the Body Electric part! Simply beautiful! 
