Come On Over should have slayed more to get the recognition it deserves.
Love that song but Ace brought to my attention that it lost out on Grammy nominations to What A Girl Wants and that she performs WAGW more regularly compared to Come On Over.
Disney pop tart turned pop star with loose morals, this long tongued diva has had one of the most successful transitions from teeny bopper to Pop stardom. Miley Cyrus catapulted into the spotlight with her debut release of Hannah Montana back in 2006.
Capitalizing on her momentum, Miley pushed to shed her Hannah Montant image with a succesful hit but fell short when having to push an entire era away from her original Disney image. However, after a haitus, Miley generated hullabaloo by cultivating a sexually charged image and performed in a controverial and uncouth manner with Robin Thicke at the VMAs, which further brough attention to her latest efforts. Securing one of her biggest worldwide hits with a hand me down from Beyonce’s camp, Miley successfully left behind Hannah Montana and claimed a spot at the top of the industry in 2013.
Nice but I don't get why most of gorls have 6 songs in rate and some of them 8 or 5
Not everyone has the same number of signature songs. It is dependent on the number of albums, the length of their career and just how much a impact a song has made on the artists career.
family portrait needs to be mentioned. it was such a heartfelt song and her iconic album m!ssundaztood pretty much triggered all the other pop girls to be more personal and intimate in their songwriting and production, and to talk about real stuff that goes beyond "i'm a pretty girl, now do me".
and also trouble for winning a grammy for best rock vocal -- and this stripped down performance just takes all our breaths away and got other mainstreamers to try acoustic as well:
