I hope this performance doesn't effect her comeback negatively. She was really building herself back up with the GP until this performance.
I really thought this was going to be one of her best performances, instead it was just a big mess. I can't believe she and intel hyped up this performance as something so groundbreaking and innovative when 90% of it was just a regular performance. She really hasn't learned anything since the Artpop era.
I agree I know she likes Bowie but she should've played it safe and let those wrinkly old acts play tribute to him. She ruined her chance of a comeback tbh.
I hope this performance doesn't effect her comeback negatively. She was really building herself back up with the GP until this performance.
I really thought this was going to be one of her best performances, instead it was just a big mess. I can't believe she and intel hyped up this performance as something so groundbreaking and innovative when 90% of it was just a regular performance. She really hasn't learned anything since the Artpop era.
She's been getting mostly praise. She can't please everyone.
I hope this performance doesn't effect her comeback negatively. She was really building herself back up with the GP until this performance.
I really thought this was going to be one of her best performances, instead it was just a big mess. I can't believe she and intel hyped up this performance as something so groundbreaking and innovative when 90% of it was just a regular performance. She really hasn't learned anything since the Artpop era.
The reception has mostly been positive. This clickbait article isn't going to change that
The rest of the article and this thread refers to the opinions of nobodies.
Also none of what you said supports what you were trying to say.
Bowie's love for digital doesn't equal him being happy his tribute looking like a sad parody and Intel promotion.
In the summer of 1998, a strange press release made its way out to technology and music publications throughout the world. David Bowie, the legendary musician and cultural provocateur, would be launching his own internet service provider, offering subscription-based dial up access to the emerging online world. At a time when plenty of major corporations were still struggling to even comprehend the significance and impact of the web, Bowie was there staking his claim. “If I was 19 again, I’d bypass music and go right to the internet,” he said at the time. He understood that a revolution was coming.
Bowie had always appreciated the interplay between pop music and technology, but the explosion of web usage in the mid-1990s offered entirely new communication possibilities. In 1996, Bowie became the first major artist to distribute a new song – Telling Lies – as an online-only release, selling over 300,000 downloads. By then, like many other music artists, he had his own website and was exploring interactive CD-ROM technology – notably through the 1994 release of Jump, a PC CD that let users create their own video for the track Jump, They Say as well as watch interviews with Bowie and music videos from the Black Tie White Noise album. In 1997 he arranged an ambitious live ‘cybercast’ of his Earthling concert in Boston – although the limits of internet access at the time meant that capacity was quickly reached, and most viewers received only stuttering images and error messages.
The nerve of people to have such ignorant opinions and think they hold any merit.
Quote:
When entering the exhibition, each guest will be handed a pair of Sennheiser headphones and a guidePORT receiver. This 3D immersive sound simulation equipment allows visitors to stroll as they choose into 25 various display zones. Inside a control room behind the scenes, Sennheiser will be broadcasting 25 live audio streams through transmitters that are mapped to exhibition’s floorplan. When someone walks near a display, a matching audio stream will be activated since small trigger units (called identifiers) located throughout the show will recognize the geo-location and pick up the appropriate audio stream.
The immersive audio installation is made possible by a special 3D upmix algorithm created by Gregor Zielinsky, Sennheiser’s International Recording Applications Manager, and the experience is delivered through an array of hidden loudspeakers from Neumann – a Sennheiser subsidiary.
I know she likes Bowie but she should've played it safe and let those wrinkly old acts play tribute to him. She ruined her chance of a comeback tbh.
Kinda doing the most
some of yall act so slow lol
. go on and get FAKE mad, smell your own farts while you're at it 
.