As far as I know, Lana will play for this era next week, the first time live in a TV Live show. It's in France and also she will play at a festival there.
I'm going to have to buy the Target version now that I know it has an exclusive song.
Your welcome for informing you! And yeah, you better, cause Flipside is really superior.
Quote:
Originally posted by rbautz
As far as I know, Lana will play for this era next week, the first time live in a TV Live show. It's in France and also she will play at a festival there.
It's better than nothing I guess. I hope it's just a beginning of promoting it in Europe.
The touring is nearly over, so it's going to be fun to see what she has planned next.
Schedule:
24th August - Rock En Seine, France
25th August - Private Show (Live at Le Trianon), France
16th September - Fearne Cotton Live Lounge (12pm), Zane Lowe Live Lounge (7pm)
4th October - Austin City Limits Festival
6th-8th October - Mexico
11th - Austin City Limits Festival
The touring is nearly over, so it's going to be fun to see what she has planned next.
Schedule:
24th August - Rock En Seine, France
25th August - Private Show (Live at Le Trianon), France
16th September - Fearne Cotton Live Lounge (12pm), Zane Lowe Live Lounge (7pm)
4th October - Austin City Limits Festival
6th-8th October - Mexico
11th - Austin City Limits Festival
You forgot to list Music Midtown, USA September 19/20. I'm going to that
Blake talking about writing Cruel World , Pretty When You Cry and Flipside and more...
Quote:
Can you share what the co-writing process was like with Lana Del Rey on the new album Ultraviolence?
It was probably the best experience of my life so far. I was in New York visiting family, and Lana invited me down to Electric Lady Studios, which was always a dream of mine being a Hendrix nut. It was surreal being and working there. We wound up being there for 8 or 9 days with basically the entire place to ourselves. I had played guitar on a couple tracks that were pretty much finished, but one morning I came to the studio super early just to work out some tones and play in that amazing live room. As I was coming up with some progressions, Lana walked in and we came up with “Pretty When You Cry” on the spot. It was recorded through a Neve 8078 which just sounded unreal. None of it was planned which certainly added to the vibe. The same happened with “Cruel World”. I was actually watching a video of the ‘BigSky’ on my computer and showed it to her. She said, “****! That sounds amazing. We need that.” (Laughs) So a couple of hours later, a runner went out and grabbed one. On the last day while Phil Joly, the engineer, was bouncing down a couple sessions, and she asked me if I wanted to play around with the new pedal in the live room. I played maybe a few chords and we immediately started writing ‘Cruel World’. We recorded it just guitar and vocal in one take, and then Dan Auerbach went on to produce the song not long after. Everything about the recording and writing process was super organic, plus the energy in that studio is very powerful. I came up with the guitars for ‘Flipside‘ at home in Los Angeles using the BigSky as well. I made a quick video clip and sent it to her phone. We wound up writing the song a couple days later at her house, and then recorded it at a studio later that night. Strymon definitely played a big role in shaping the sound of the record.
!!
you'll be there too???