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Music News: Ke$ha: 2nd studio album anticipation
Member Since: 7/30/2010
Posts: 8,199
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Quote:
Originally posted by Yourfavefan
I want a rihanna, katy and maybe a brit collab... oh and avril is definitely allowed
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I don't want a high-profile collaboration, it would probably come off as forced
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Banned
Member Since: 3/7/2011
Posts: 1,181
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I just want a Katy Perry collab... that's all.
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Member Since: 11/18/2010
Posts: 3,292
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Quote:
Originally posted by What It Seems
Mike Posner 
I wouldn't mind Taio or 3OH!3 again tbh |
Mike and Taio are a bit generic (from the singles I've heard from them). I need her to grow a little. As for 3OH!3, I liked Want , but I'm not a fan of Streets of Gold. I would love a Colorado Sunrise type song.
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Member Since: 3/7/2011
Posts: 19,696
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Quote:
Originally posted by What It Seems
I don't want a high-profile collaboration, it would probably come off as forced
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Forced in what way?? I just want it for my enjoyment.. I don't want all these people I don't care about.. i probably would want to just skip their part...
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Member Since: 11/18/2010
Posts: 3,292
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Quote:
Originally posted by AnimalCannibalAJ
I just want a Katy Perry collab... that's all.
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I remember a lot of people thought Katy sung Right Round. I think they're voices would be too similar.
Also, imagine a live performance. 
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Member Since: 11/18/2010
Posts: 3,292
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Quote:
Originally posted by Yourfavefan
Forced in what way?? I just want it for my enjoyment.. I don't want all these people I don't care about.. i probably would want to just skip their part...
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Ke$ha on the Till The World Ends remix was kinda forced and pointless. It was cool hearing her sing it, though.
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Member Since: 7/30/2010
Posts: 8,199
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Quote:
Originally posted by eegigyy
Mike and Taio are a bit generic (from the singles I've heard from them). I need her to grow a little. As for 3OH!3, I liked Want , but I'm not a fan of Streets of Gold. I would love a Colorado Sunrise type song.
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I need a hot track like Dirty Picure again 
Quote:
Originally posted by Yourfavefan
Forced in what way?? I just want it for my enjoyment.. I don't want all these people I don't care about.. i probably would want to just skip their part...
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Na Na Na Come on
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Originally posted by eegigyy
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Quote:
Originally posted by eegigyy
Ke$ha on the Till The World Ends remix was kinda forced and pointless. It was cool hearing her sing it, though.
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After hearing her on the song, I was glad she gave it to Britney
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Member Since: 11/18/2010
Posts: 3,292
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Quote:
Originally posted by What It Seems
Na Na Na Come on
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It got it to number one, though. 
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Member Since: 3/16/2011
Posts: 6,580
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Animales, is shots on the hood of my car the only new k$ song? i dont check her out since a long time ago
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Member Since: 11/18/2010
Posts: 3,292
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Quote:
Originally posted by cheap
Animales, is shots on the hood of my car the only new k$ song? i dont check her out since a long time ago
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The acapella and explicit version of Sleazy are out now, too.
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Member Since: 3/7/2011
Posts: 19,696
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Quote:
Originally posted by eegigyy
The acapella and explicit version of Sleazy are out now, too. |
I cannot hear the alternate version of boots & Boys  .. its blocked in my country
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Member Since: 3/16/2011
Posts: 6,580
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Quote:
Originally posted by eegigyy
The acapella and explicit version of Sleazy are out now, too. |
ty im gonna listen to them now 
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Member Since: 3/7/2011
Posts: 19,696
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Quote:
Originally posted by What It Seems
I need a hot track like Dirty Picure again
Na Na Na Come on
After hearing her on the song, I was glad she gave it to Britney |
NOOOOOOOO.. Ke$ha sounds better on till the world ends imho...
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Member Since: 11/18/2010
Posts: 3,292
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Quote:
Originally posted by Yourfavefan
I cannot hear the alternate version of boots & Boys .. its blocked in my country |
You live in Windsor? I live in Canada, too, and it works fine. I can give you the download link if you want it. There's an extra line, it doesn't change much.
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Member Since: 11/18/2010
Posts: 3,292
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Quote:
Originally posted by What It Seems
After hearing her on the song, I was glad she gave it to Britney |
Right. Her voice wasn't meant for it.
I can't take it, take it, take no maaaooooor.
Come on git me, git me, on tha floor.
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Member Since: 3/7/2011
Posts: 19,696
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Quote:
Originally posted by eegigyy
You live in Windsor? I live in Canada, too, and it works fine. I can give you the download link if you want it. There's an extra line, it doesn't change much.
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Yeah, I live in windsor, but I am not currently there.. been on an island for 3 months already :S:S:S:S ... cannot wait to get back to canada, even though windsor isnt much...
It doesn't change much??? worth the download?
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Member Since: 11/18/2010
Posts: 3,292
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 Last Night: Ke$ha At The Woodlands
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Ke$ha
Cynthia Woods Mitchell Pavilion
August 2, 2011
Halfway through her sparkly, sordid and sweaty extravaganza Tuesday night, Ke$ha dropped to the floor of the Cynthia Woods Mitchell Pavillion stage and, while hunched forward, began to perform "The Harold Song," in which she longs for companionship and says she would gladly give up all of her fame, fortune and even glitter (we assume) if only she had someone with whom to share her bed.
Not in the sexual way, believe it or not; in the romantic, I-don't-want-to-sleep-alone way.
As the song ended and the crowd cheered, she softly breathed a thank-you into the microphone, telling the crowd, "I love you guys."
It was nothing like the Ke$ha we've read about, and it was a stark contrast to the Ke$ha we had been watching up until that very moment.
She may be a puppet in an industry only concerned with making a quick buck, but there may be substance behind this diva. And if she can write more songs like "Harold" on her forthcoming albums, she may even be able to appeal to a few less-than-sleazy young women. In the meantime, she'll stick to what works.
"Harold" was, of course, an anomaly in an evening full of glitter, glam, boobs, balls and, believe it or not, a few appearances by Santa Claus. If that wasn't enough, Ke$ha played guitar a few times.
Appropriately, the show began with the warped feminist anthem "Sleazy," as the lady of the evening stood in the middle of the stage, sporting sunglasses with bright LCD lights on them.
"This song is about taking your clothes off," Ke$ha told the crowd as the backbeat for "Take It Off" began. Fittingly, the male dancers onstage began stripping, eventually making their way to the edge of the stage with old-timey cameras, pretending to be paparazzi, snapping photos of the crowd.
After "Blow," a man sloppily dressed as Santa Claus walked out onstage, didn't say or do anything, then walked offstage while Ke$ha switched outfits. After changing into more patriotic garb (a red, white and blue tank top), the ****wave queen reappeared and addressed the crowd again.
"Houston, when I say 'Blah,' you say, 'Blah,'" she said, holding a guitar shaped like an AK-47. If there's one thing Aftermath is good at, it's following simple directions. We complied.
Anyone who thinks Ke$ha's lyrics don't have authenticity to them can write off their suspicions as untrue. "Backstabber" is apparently about grand theft auto. Yup, Ke$ha said so herself.
A few years back, Ke$ha told the crowd, she and then-friend "Jeanie" stayed up all night partying, and when Ke$ha woke up, both "Jeanie" and Ke$ha's car were gone. We would have called the police, but Ke$ha went to the bathroom, brushed her teeth with a bottle of Jack Daniels and proceeded to write a song about the incident.
Mick Jagger would be proud.
During "Cannibal" she strapped one of her male dancers to a Saltire (an X-shaped cross) and pretended to rip his heart out. She then proceeded to drink "blood" from it. At this point, Santa brought Ke$ha a chair and then walked back offstage.
Still, we had no idea who this guy was.
"Grow a Pair" is about a boy who wanted to talk when Ke$ha wanted to have sex, which is apparently a no-no in the young lady's book. As the song began, she asked if any boys in the crowd were up for some punishment. She then pulled an 18-year old onstage, Saran-wrapped him to a chair (Santa helped) and began dancing around him, occasionally grinding on his leg or arm.
One of the male dancers reappeared onstage, dressed as a pear. Witty, right? In case the crowd didn't get it though, another guy emerged dressed as a penis, fully equipped with two testicles that Ke$ha began fondling.
The fourth Santa sighting of the night occurred when he brought a mike stand onto the stage. At this point, he still hadn't said a word, though no one in the crowd other than us seemed to care.
For her encore, Ke$ha reappeared onstage wearing a glow-in-the-dark suit, complete with a yellow helmet with feathers attached to it. She kind of looked like a peacock on ecstasy, or something.
"We R Who We R" closed out Ke$ha's performance, but Santa wasn't quite ready to head back north, apparently. Our surly friend grabbed the mike and began singing "Fight for Your Right to Party" as a piñata bobbed above his head.
Ke$ha then ran back onstage with a glitter-blasting gun, showering her dancers and fans with more gold sparkles. The dancers destroyed the piñata, and all of them humped Ke$ha as she positioned herself on the ground, before Santa carried her offstage.
Maybe her music isn't very good; maybe she isn't all that talented; and maybe everyone in attendance at last night's concert wasted their money supporting an industry that is willing to put anyone in the spotlight as long as they make an easy puppet.
And maybe, just maybe, she gave us hell of a good time.
Personal Bias: We wouldn't have paid money to see the latest pop-rock icon in the making, but we can always appreciate a good show. And a good show, this was indeed.
Overheard In the Crowd: "At least they saved the best song of the night, the Beastie Boys cover, for last!"
Random Notebook Dump: In case God ever considers giving me a daughter, I have to say that I disapprove of Ke$ha's message. But from the perspective of a 23-year-old male, I can't say that I'm not somewhat fond of the whole "Get Sleazy" thing. Not with a straight face, anyway.
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Source
Kesha, the glittery party girl, talks about her mantras and her music
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The glittery party girl is on a mission. Kesha, the self-proclaimed “dance commander” with the predilection for all things sparkly, and her “Get Sleazy” worldwide tour are coming to Dallas — again. She performed at a sold-out House of Blues in late April. But come on, that’s too small a venue to contain the in-your-face woman responsible for the incessant synthesized pop-dance radio hits “Tik Tok,” “Your Love Is My Drug,” “We R Who We R” and “Blow.” So she’ll headline Gexa Energy Pavilion on Thursday night with opening acts LMFAO and Spank Rock.
Kesha, now boasting three albums, Animal and Cannibal released last year and the recent I Am the Dance Commander + I Command You to Dance: The Remix Album, grabbed the phone to chat for about 10 minutes. Calling from Los Angeles, she shared thoughts on her tour, image and music.
The “Get Sleazy” tour and its everything-and-the-kitchen-sink approach (glitter, bearded male dancers, Santa Claus and more glitter) aims to be the dance party of the year. It’s about throwing your inhibitions out the window, being free to be free, right?
“It sums up a lot of what I stand for and what I am,” she said. “I just want people to be crazy. I want people to be able to come to my show and be complete idiots, be yourself, have fun. I don’t care. Hopefully I am providing them that outlet for two hours.”
Your image, the glittery party girl, is all about liberation, unabashed fun. Is it invigorating for you?
“I am a free spirit and I am also very honest. I’m 24 years old. The party girl, people call me that. I do like to party, but more than a party girl I am the dance commander. I am inviting people to join the dance party and want people to dance. There are lots of things that bring down our spirits, whether it be financially, your personal life, everybody has issues. It is important to give people a place to come and have fun and let go. It is important for me to be the catalyst for people to have fun. I really believe that I was put on this earth to do this, to have people have fun.”
You love country music — Johnny Cash , Dolly Parton , Patsy Cline — so you write story songs, an homage to country, but package them as electro-pop-dance nuggets. Is it therapeutic?
“What I sing about is my lifestyle. I am very youthful and I have a lot of energy. We are like a cult of young people that don’t give a [expletive]. It’s important no matter who you are or what you do to try to find a little bit of joy in your life, whatever it is. Make light of the situation. Try to enjoy it. Live in the moment. Those are all my mantras.”
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Member Since: 5/21/2009
Posts: 5,545
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I want a proper Nicki Minaj collaboration.
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Member Since: 10/14/2010
Posts: 1,387
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Quote:
Originally posted by Erik
I want a proper Nicki Minaj collaboration.
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I'd watch
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Member Since: 8/24/2008
Posts: 40,932
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I wish Ke$ha kept Till The World Ends.
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