they have hard time adapting because of ageism, racism, elitism and misandry in the music industry nowdays
Both Bach and Beethoven are white, cis, straight males, let's not Mozart identifies as a demigender, and as such he has harder time adapting and making people connect to his must, and yet he manages to blew out competition, streaming wise (despite not having spotify payola *cough* Bach I'm looking at you *cough*) and album sales
Both Bach and Beethoven are white, cis, straight males, let's not Mozart identifies as a demigender, and as such he has harder time adapting and making people connect to his must, and yet he manages to blew out competition, streaming wise (despite not having spotify payola *cough* Bach I'm looking at you *cough*) and album sales
did you just assume their genders?
and both Bach and Beethoven were hunTies, let's not
the homophobia was too strong, they wouldn't have handled hetero-normativity at the time
yeah, he can use this Spotify payola, but what about sales, the things that ACTUALLY MATTER??
IDK why people are trying it with Vivaldi. If anybody deserves to be in the trinity with King Mo and King B (ach, not that other B one), it's Chopin. Vivaldi can't even sit at the indie table; Debussy and Satie kinda 1, 2 punched him out.
The threads of this classic music forum really reminded me of ATRL.
Yeah literally went to find that forum again after seeing another thread on here. Also this sis on there saying their fave(Wagner) influenced the Holocoust :
Quote:
Arguably, Wagner is the most influential composer of all time. The king of Bavaria built a castle in his honor, he was an obsessive fan much like you could see nowadays with teenage girls and boy bands.
Hitler was an equally obsessive fan, and almost seemed to structure his whole life around Wagner. I need not say that Wagner indirectly inspired the Holocaust, but there's more. Hitler went out of his way to meet and honour Wagner's descendants, and went to serious efforts to elevate him in the regime. He wasn't interested only in his music, but in every facet of his life, reading everything he wrote, and taking an interest in his personal life and relatives (again, much like a teenage fangirl would do). Not only that, but he set out in search of the Holy Grail, going to Spain specifically to find it. This is a remarkable coincidence if you consider the story of Parsifal.
So here we have a composer, who managed to seduce not one, but two major historical figures into absolute obsession. I cannot think of any other musician who has had this kind of impact on the world. What do you think was his magic, what did he have that other composers didn't?
IDK why people are trying it with Vivaldi. If anybody deserves to be in the trinity with King Mo and King B (ach, not that other B one), it's Chopin. Vivaldi can't even sit at the indie table; Debussy and Satie kinda 1, 2 punched him out.
NoT when "that other B one" slays them both combined
Mozart identifies as a demigender, and as such he has harder time adapting and making people connect to his must, and yet he manages to blew out competition, streaming wise (despite not having spotify payola *cough* Bach I'm looking at you *cough*) and album sales
Vivaldi can't even sit at the indie table; Debussy and Satie kinda 1, 2 punched him out.
