The girl could DESTROY Latin America. Not gonna talk about other countries, but her album did very well in Brazil and Mexico, and here in Argentina, her friend Ed Sheeran could do $961,749 from 15,884 with 2 dates. He doesnt even have as much of an established fanbase here as she does and he still did very well, why is she even snubbing us?
I just read that "Out of the Woods" and "Style" made Pitchfork's Top 100 Best Tracks of 2014!
#94 Out of the Woods
Quote:
Though "Shake It Off" had been uncoiled weeks earlier and cemented Taylor Swift’s somewhat vague "'80s-pop" agenda, the release of "Out of the Woods" was the moment where it all snapped into place. Working with Jack Antonoff of Bleachers and Fun., Swift creates a chant-along that’s Taylor-made for a Reagan-era flick, though I can’t imagine Harry Styles standing on any lawns in Nashville anytime soon. (I feel like Harry Styles doesn’t raise his arms for anyone. For more Harry Styles fanfic, please visit my Tumblr.) On "Out of the Woods", Swift and Antonoff build a monster chorus worth the price of admission, but in the glorious last minute, they deploy all their weapons—from the shuttering drums to the cascading perfection that is Swift’s vocal performance—for 2014’s Best Breakdown. —Corban Goble
#50 Style (few spots below Luh Mee Hada )
Quote:
Dating back to her earliest records, Taylor Swift’s songs have navigated the familiar tropes of Western romance: Romeo and Juliet, cheerleader versus geek, the shy girl who falls for the rebellious boy, Prince Charming and his white horse. On her shapeshifting new album 1989, "Style" is perhaps one last look at the version of Swift who sees herself in broadly drawn characters—in this instance, a "classic" girl wearing red lipstick who has fallen for a slick-haired, white-teed guy with the "James Dean look" in his eye. But where those early songs were often parables, this one is more of an allegory: Swift dredges up iconic imagery of the American '50s as a way of framing an on-again, off-again relationship so intense that its essence feels infinite.
But "Style" also seems like a distilled look at a future version of Taylor Swift. Though it is structured like so many of her previous tracks, it’s not her meticulous songwriting that throws you into a headrush. Instead it’s her vocals, tense and restrained, misting emotion in cascading sighs and implied ellipses. But more so it’s the instrumentation from Max Martin and Shellback, which traces a line from Jan Hammer to "Teenage Dream". Swift delivers wallops in small moments, so her producers bust out the heartstoppers: a pre-chorus riff that’s like a car screeching short, then undulating waves of keyboards underneath the hook that feel like the wind blowing through your hair. Most stunning of all is a guitar figure that scribbles its own story of indefinite lust across the night sky. —Jordan Sargent
The girl could DESTROY Latin America. Not gonna talk about other countries, but her album did very well in Brazil and Mexico, and here in Argentina, her friend Ed Sheeran could do $961,749 from 15,884 with 2 dates. He doesnt even have as much of an established fanbase here as she does and he still did very well, why is she even snubbing us?
no idea, could she sell out that chilli stadium?
Maybe she will come 2016
Did you guys read that thing about a photographer calling Taylor out for being a hypocrite or whatever? I'm sorry if this was already discussed but I can't be on here as much anymore
I swear Tumblr is doing the most with her.
Did you guys read that thing about a photographer calling Taylor out for being a hypocrite or whatever? I'm sorry if this was already discussed but I can't be on here as much anymore
I swear Tumblr is doing the most with her.
Taylor has addressed it too (idk where to look though can anyone help? )
The Lord was so good last night. Literally not over it
Wish I had gone too!
She got a 5 out of 5 star review from Manchester Evening News.
some snippets
Quote:
It was already evident Swift had super power-like force when she demanded Apple pay royalties to indie artists less fortunate than her, and the multi-billion corporation surrendered like they'd been hit by her alter-ego Catastrophe in her Bad Blood video.
But completely engaging thousands of visibly overwhelmed fans for a solid two- hour show is something else on the scale altogether. Taylor Swift is a big deal.
The whole thing, from Swift's first sashay to her last fringe flick, was a spectacle.
Then just when her voice threatened to get lost in her own backing track, she belted out a pitch perfect long note Mariah would be proud of.
Hit after hit was greeted with whooping cheers on an identical Richter scale level as the previous track.
Her 80s electro I Wish You Would and poptastic How You Get The Girl from album 1989 epitomise Swift's ability to work whatever music style she chooses.
Massive lead single from 1989, Shake it Off, was the only way to end an absorbing show executed to perfection.
pretty much the whole album punches
)
(idk where to look though can anyone help? 
