The Loud era was bigger than any Beyuki era this decade (+ bigger than every Beyuki era WW).
I would hope so with the amount of generic tailored for radio pop hits it produced, once she ditched pop for a more urban sound, her WW dominance dwindled a bit.
I would hope so with the amount of generic tailored for radio pop hits it produced, once she ditched pop for a more urban sound, her WW dominance dwindled a bit.
The hypocrisy.
IASF was as generic as LOUD, with the different that some of the stuff on the latter is actually listenable