Taken from Rolling Stone (the most important music critic) review of Britney Jean:
Quote:
Britney Jean continues the roll she's been on in recent years – her 2007 glitch-disco manifesto, Blackout, is one of the most influential albums in modern pop, and 2008's Circus and 2011's Femme Fatale are in the same league. In fact, you can split Britney's career into pre-Blackout and post-Blackout halves, and you've got two of the all-time great pop careers. And she's still way weirder than she might seem on the surface – Britney Jean makes Yeezus sound like a positive-affirmations workshop.
I fully believe that the industry analysts and public alike have all just taken a collective seat, arms and legs crossed, watching with bated breath as everything unfolds. No one is saying a word. Trying to make some sense of anything at this point has become futile.
wusssup been a minute since we kicked it,
you've been caught up with them bitches,
i don't get it, you're a star love, you shouldn't have to deal with that
i'd never make you feel like that, cause...
All "Work Bitch" and no play would make Britney a dull bitch. And who wants that? Nobody. So Britney's back in the game, brushing all the riffraff away from her pop throne. Even though we're in the middle of a pop-princess pileup this winter, with Miley, Katy, Gaga and more elbowing for room on the dance floor, Britney remains the queen who out-bangs, out-booms, out-bizarres them all.