Don't run awayy
What you running from?
Know you wanna come, with meh
Let's run awayyyy tonight
Together forever baby
In the niiiight like you never done before
Find my love
In the liiiiights
It won't go away
The rays are on you noww
Woo @ this being the best second verse of all time
Don't run awayy
What you running from?
Know you wanna come, with meh
Let's run awayyyy tonight
Together forever baby
In the niiiight like you never done before
Find my love
In the liiiiights
It won't go away
The rays are on you noww
Woo @ this being the best second verse of all time
my most played track from X
i always envisioned a frat house-party type video
Kim is certainly one of the most talked about women on the planet, but is she respected by anybody?
I fail to see how she's anything more than a Paris Hilton 2.0.
While Gaga is sucking elderly dick for her last breath of success, KIM is speaking at tech conferences. Not like any of these pop prostitutes y'all stan for are seriously respected so save it
Alice is a part that would demand the best of any actress, not just to play it but also not to over-play it; how fortunate for us, then, that Julianne Moore, one of our finest actresses, plays the title role.
There's a possibility that the basics of “Still Alice” make it sound maudlin, or more on the frequency of a made-for-TV movie than what it is. But this is not only sensitive material handled with tact and humanity, it's also sensitive material bolstered and braced by Moore's stunning performance. It's not just that Moore has a steady and firm hand on her work even as Alice loses more and more control; it's the basic humanity of her performance that stuns you as she goes through her crises. “I wish I had cancer,” she notes to her M.D. husband, John (Alec Baldwin).
Every scene here is written with depth to match its force, with everyday realism to match its exceptional nature. Alice isn't above planning her own suicide; she's not above using her condition as leverage to get her actress daughter to go to college by framing it as one of her last wishes.
There's an extraordinarily tough and smart delicacy to “Still Alice,” and it stretches far beyond the writing or Moore's performance or even the sympathy of the circumstance.
Moore's work has been earning raves since “Still Alice” debuted at the Toronto International Film festival, and with good reason: It's a careful performance, one that never steps too far forward into melodrama while at the same time never holding back. (A scene with Moore touring a Alzheimer's facility — ostensibly for a relative, but actually for herself — is a quiet masterpiece.)
Any drama can wring tears out of an audience; it takes a superb drama to deserve them. You'll want to see “Still Alice” to confirm that it contains one of the year's best female performances by the astonishing Moore, but it also — and thankfully — contains and embraces much, much more.
Did you actually read the list before you posted that? Who cares if she wasn't top five considering Ke$ha NEVER made it?
