And I am going to be super pressed if people start to get all pissed about the fact that she did a collaboration with Chris. I mean, I don't particularly like that she did the collaboration to start with, but that should not dominate the review like it did for the Guardian.
If nothing else, Nobody's Business is – if you'll pardon the phrase – one in the eye for the kind of person who tells you modern pop music has nothing new to offer: it's hard to think of another perky disco-house number featuring a victim of domestic abuse duetting with her abuser about how perfect their relationship is. "Could we become love's persona?" they coo, prompting the answer: no you probably can't, because three years ago, one of you beat the other one up so savagely he left her with major contusions either side of her face, a bloody nose, a split lip and bite marks on her arms and fingers, an incident she told police was symptomatic of an "ongoing and escalating abusive relationship".